All posts by Todd Cochrane

Podcast Advertising Negotiation and Execution



Hi folks a little background I have been executing advertising campaigns the past nine years as the CEO of RawVoice / Blubrry.com. And while the advertising landscape is changing, I want to share with you tenets of my success and give you guidelines that enable you to best negotiate and execute advertising deals.

Above all, I want all podcasters to be successful in their advertising campaigns — the more success we have as a collective the more money advertisers are going to invest in the space. The following is my process — you are welcome to use as-is and/or modify as you see fit.

When contacted by a company for podcast advertising, first find out if the individual is the information gatherer, the bottom-line signature authority or someone in between. This will help mold the initial phone conversation.

In that first call share your podcast philosophy with them and/or examples of successful campaigns you’ve executed. I tell the media buyer my background and advertising campaign experience; the production schedule of my show and its genesis/theme; the complete demographic of my audience with examples of who my listeners are; the nitty-gritty of how I execute campaigns; and lessons I have learned.

You want the advertiser to be confident in your ability to execute the advertising deal in which they’re going to invest their hard-earned dollars. As important, you will want to know how they found your show and why they think your show is going to be a good fit for their product or service.

It is critical early on that you get a budgeted dollar amount, otherwise you could end up putting a number of hours work into this to find out their budget is only a $100. If their budget is too small, I generally end the conversation gracefully. You can have situations where the budget is so small you would not be able to execute the campaign effectively. Don’t take the money unless you feel you can execute the campaign. If they have a large budget — more than you can move on your own — consider working with a company such as mine (RawVoice) to build a bigger campaign.

Ask them their campaign goals. This is where you get a feel if their budget is within expectations. Dig in and try to find out what it is currently costing them to acquire a customer. This provides insight on how you should price the campaign. My goal is to always deliver ROI that is lower than their acquisition costs. When you do that, they will spend money for a very long time. If it costs them $100 to gain a customer on radio and $150 with you, they will never renew.

When speaking to prospective advertisers, I make sure I describe the basics of how we would execute their campaign: introduction of the product through use cases, talking points on features and a special call to action to the audience. I always try to lock in a special price/offer that the listeners cannot find anyplace else.

I caution the advertiser about having a script; I push telling a story through talking points. I encourage the vendor to allow the ad to flow as natural as possible and ask them for source material, samples of the product or an account on their service so I can do my homework to best sell the product or service. One exception to the spontaneity is the call to action. This will always be scripted and never change from episode to episode. This hammers home how to obtain the product or deal being promoted.

As added value, I provide my advertisers a free banner ad above the fold, and put a sponsor message within my show notes with a trackable URL to their site. The listeners hear the ad and then see the ad on my website, which increases the likelihood of an action.

At this point, you can close the conversation and build an RFP (request for proposal). I always promise to deliver an official proposal by a specific date, along with providing the terms of the campaign.

Some media buyers have their own RFP, but they generally lay out what you are going to deliver and how much, start/stop date, ad frequency, ad length, banner sizes, CPM (cost per thousand), CPA (cost per acquisition) or flat-rate sponsorship rate, suggested text for the blog post and the cancellation terms.

The RFP is essentially the contract. Once you have a signed RFP, you need to be on your “A” game. You should do your very best to execute that campaign with the utmost respect and meet all the terms that you have agreed to.

Another aspect outlines what the sponsor is going to deliver to you before the start of the campaign:

  • Banners (correct size)
  • Product/service case studies
  • Talking points for your campaign
  • Call-to-action with promo code and/or landing page
  • Service or product trial

As a word of caution, if you have doubts about the vendor’s product or service, don’t sign the deal as your audience will smell that a mile away and the campaign will fail.

An important element in your pitch is to get the media buyer to understand the advantages of longer versus shorter campaigns. I try to get them to do a three-month campaign from the start. Why three months? It concerns the number of times the ad is heard. On traditional radio, their ad would be heard two to three times an hour. In my podcast it will be heard once an episode, twice a week. Our data shows the audience needs to hear the ad or variations of it three or four times before they make a buy or sign up for a service.

Those three to four exposures on my show will take two weeks. So in most campaigns, you see a minimum two week ramp up before you start seeing the campaign firing on all cylinders. At the end of 90 days, they will get a couple of weeks more of exposure due to the delay in audience listening. In my discussions with the advertiser I emphasize the on-demand listening aspect of podcasting that causes the ramp up period. A good analogy is how most of us, use our DVR’s most of us watch shows after they have aired the same applies to podcast listeners.

I explain that I offer a quick pre-roll at the beginning of the show, aka, “This show is sponsored in part by . . . ,” then do a full host endorsed sponsor spot within the first 25 percent of the show, lasting anywhere from 60 seconds to 3 minutes. Note: I take whatever time I need to get my point across in the sponsor spot.

Don’t get greedy! If they have a large budget make sure you are able to deliver the ROI according to what they are spending on your show. If you find an advertiser with a big budget, my company offers a finders fee based on gross ad spend of that vendor. We have some podcasters making more money from referrals than their podcast will ever deliver on its own. So do not be afraid to reach out.

Ask if their commerce system can handle a promo code and whether they would be willing to put up a trackable landing page. This is critical. You want to be guaranteed the ability to track and measure your campaign success. I use a third party banner-ad server so that if I need to show and display banners on websites or text-link click throughs as part of the campaign, I can ease the implementation for the advertiser. For that reporting I simply add them to the banner-ad’s reporting system so they get the banner-ad performance via the provider.

Most campaigns require a weekly report, episode link, ad time hack, certified downloads from Blubrry Podcast Statistics, and the link to the blog post. The vendor will be listening to you: Encourage them to critique each ad spot. Be ready to try a different approach if the campaign is not getting results and work with the vendor early and often to make tweaks to the campaign.

If the campaign is underperforming, do not be surprised if the vendor asks for more ad spots. My goal is to keep the vendor happy. I would rather give the them some more spots to bring performance in line and adjust the pricing for the next go-around versus losing the advertiser.

In closing, price your campaigns for success. As a rule of thumb the smaller the ad buy the more scrutiny the advertiser is going to have on your show and the campaign success. Never ever make your show appear bigger than it is. Use a reputable podcast statistics platform to backup your reporting so that when you are audited you come out smelling sweet.

I have shared an incredible amount of data here and I encourage you to go through this info a couple of times let me know @ ceo@rawvoice.com if this information helps you score an ad deal..
Happy podcasting and be a good ambassador for the space.

Todd..


A Decade of Podcasting



Little did I know the fate that awaited me when I sat down and recorded my first podcast on a hot autumn day in Waco, Texas. On Oct. 9, I celebrated 10 years in podcasting.

In the early 90s I ran the largest bulletin board system in the territory of Guam. What was I doing in Guam? Well before and during my podcasting days I was active duty in the U.S. Navy. I retired in 2007 to do podcasting full time.

So from about 1990 to 2002 I ran a BBS and when that space died, I started blogging . . . I admit I was not that great of a blogger. But the two things had something in common: the BBS and the blog allowed me to communicate with like-minded people.

In June 2004 I was involved in a swimming pool accident that nearly left me paralyzed. The doc said I was a “3 percenter” — 97 percent of the people that suffered my injury are left paralyzed the rest of their lives. That experience left me wanting to make a difference in people’s lives and I started seeking a way to fulfill that.

During the months of recovery I made myself useful to the Navy by doing administrative jobs that landed me in Waco overseeing the taxpayers’ dollars that were being spent on the modification of airplanes. With Texas being 100 degrees in the shade, and me being constrained to a clamshell body brace, air conditioning was my best friend.

So on Oct. 8 I discovered podcasting pioneers Dave Winer and Adam Curry on “Scripting News.” I was like a fish that had not seen a meal in a year — hooked. My first show, on Oct. 9, lasted 43 minutes and reached 500-1,000 listeners; about five times as many as had ever read my blog in a single day. I knew I was on to something big.

In the early days the biggest challenge was securing enough hosting accounts to keep the show online. Bandwidth was expensive, and for the first year I had no less than 18 hosting accounts to support eight episodes a month. I would put an episode up, blow out the monthly bandwidth allowance on that host within 36 hours, and then change the media source until I blew out the next hosting account allotment.

The show quickly grew to more than 65,000 listeners. Those where the glory days of podcasting, yet I marvel that we all did not go broke. But things were evolving. In January 2005 I wrote the first book on podcasting “Podcasting the Do it Yourself Guide.” We sold over 47,000 copies of that book, a record for a tech book. We received several awards, including one from Amazon and another from the New York Times. And that kept me out of the poor house.

In July 2005 GoDaddy approached me and offered to sponsor my show, which was exciting as my wife had instituted a two-year deadline to make the show profitable. After a few months I was asked by GoDaddy rep Kris Redlinger the now-famous question that changed everything: “Do you know other podcasts we could advertise in?” It was as if I had been struck by lightning, a business instantly formulated in my head.

On my next show I did a shout-out asking for a Web developer/ programmer, business developer, graphics guy and a lawyer. From that call-out on my show we built RawVoice. The rest is history. RawVoice was built with fans of my show: Four of the five principles RawVoice started with are still primary owners in the company.

Honestly, the past 10 years have been a whirlwind and I admit that being one of the first 50 or so podcasters was pretty cool. Hundreds of thousands have come and gone since then and today we still see new shows launching nearly every day — people with a voice and a passion to discuss every possible topic under the sun.

The principles of podcasting have not changed since Day 1, and I chuckle when someone has a new scheme about how to get into the new and noteworthy section of iTunes. When I walked both ways uphill in the snow to do my podcast, there was no podcast section in iTunes let alone “new and noteworthy.” We had to win the audience over by content. Content and passion will remain the formula that wins the hearts, minds and loyalty of podcast audiences.

While I do consider myself what us Navy guys call a plankowner — a crew member who is part of a inaugural crew when the ship is commissioned — in the podcasting space, I am overjoyed every day when I learn something new or consider a new podcasting technique. But one thing for sure is I am not the same podcaster that started on that hot steamy day in Waco, Texas, in a dingy hotel room.

The podcasting journey has been my therapy. My audience experienced the death of my father on the day of my 200th episode. The response I received to the 5-minute announcement I made to my audience explaining why there would be no show that night still amazes me, and also made me realize what podcasting was really about. I got more than 5,000 emails from my family of listeners with words of condolence, and my family of listeners sent dozens of bouquets of flowers to my father’s funeral.

Notice I say my “Family of Listeners”. On my show, every listener is part of my “ohana.” From Google, “The word ʻohana means family in the Hawaiian language, but in a wider sense to include not only one’s closer relatives, but also one’s cousins, in laws, friends, race, and other neighbours,” and in my case my audience.

Once you start thinking about your audience as an extended part of your family your relationship with them will change and you will become a more engaged podcaster.

So as I start my second 10 years in podcasting, I hope that you will consider the legacy you are creating, the lives you’re molding and make your voice one that will not be forgotten.

As I approach my one-thousandth show, I hope you will tune into my podcast and let me share in much deeper detail what I have attempted to share with you today in written word. It sure is a hell of a lot easier to just podcast it.

Happy Podcasting
Todd Cochrane
Host Geek News Central
CEO RawVoice


Resources for New Podcasters



Podcasting is on a huge roll and I could not be more excited for the space. I also see a massive influx of new podcasters who want to join the party and create content. Shows such as the New Media Show, Rob Greenlee and I produce are one of many great free resources for new podcasters.

As new podcasters join the space, it is important to make sure they are exposed to all of the free resources and commentary available to them. Too often these days, novice podcasters are being funneled into paid podcast pipeline-training programs that turn out a bunch of folks doing the same exact thing.

When I hear folks say, “I just finished my 12-week podcast training course and I am ready to start my show,” the thing I am thinking is they probably should be in about their eighth week of creating content versus just finishing a course.

When I started my show, it took me about two hours to figure out the tech and 30 minutes to go to Walmart to get a headset to record my show. Granted, the first 10 shows were not that great. Even now after 982 episodes I still learn something new every day. You can only become good at creating content when you are creating content.

In recent interviews, the two interviewers sent me the same exact questions to be covered. I asked them where they were trained and got the same answer. I am not saying paid consultants are bad, but it’s a concerning trend when shows are following the same cookie-cutter formula. I question whether that’s a smart thing to do when you are trying to break out in the space.

The community as a whole has a significant number of free resources and online forums that can answer about 90 percent of the questions needed to get started. Heck, need advice on Mic, Mixer, Host, Plugins, Skype, Interviews, Co-Host, Guests, Encoding Rates, Software? Answers to questions related to these topics can be found via many of the online resources listed below.

I hate to see folks spend thousands of dollars on consultants, then spend another thousand on their suggested hardware packages before ever uttering a word into the microphone when often the purchase of an inexpensive mic is all that is needed to get started.

I am not down-playing the roles consultants and trainers provide. But when I hear groups that have been formed to do review trading and other things to artificially bolster iTunes rankings, I find it strange they are not asking their audience to do that instead.

Lets us as podcasters help the new podcasters as much as we can. I have compiled a list of shows and online resources that I feel are great starter spots for new podcasters

Shows

Forums and Online Resources

While I know this is not a comprehensive list of everything available, I do feel the above links are great resources for the new podcaster to review and make use of for free. There are thousands of us podcasting, and we should pay it forward and help new podcasters as much as we possible can.


iTunes Album Art goes Large



News From Blubrry.com via Apple

Big news about your iTunes cover art. We ‘ve just been notified that Apple has gone big — I guess you could say the “big Apple.” Apple has notified us that new iTunes album art specs have a minimum image size of 1,400 x 1,400 pixels* (which is what it has been in the past) to a maximum 2,048 x 2,048 pixel size cover art in JPG for podcast feed and podcast episode images. Apple is still recommending the 1,400 x 1,400 size, but, hey, a little flexibility is always nice, right? We’ll be updating the plugin specs on our site, but we wanted to let you know ASAP.

Apple is “not” recommending you save your image art in .png (portable network graphics) format, but if you can’t resist .png needs to be RGB (red, green and blue color model) only. That’s straight from Apple folks!

* Specified image sizes are in pixels — a picture element for digital imaging. The size of the image file on a disk is expressed in terms of “kb” (kilobyte) or “mb” (megabyte).


Podcast Awards Acquired by New Media Expo



As Founder of the Podcast Awards, I want to announce some exciting news. After some thought, I’ve made the decision to sell The Podcast Awards to New Media Expo and their team. I made this decision as Rick and his team have been so involved with us over the past few years.

It has been my absolute pleasure to create and run the awards for the past 9 years, giving podcasters a platform to be recognized. All of this would not have been possible without the support of the podcasting community, and the podcasters that supported the show financially. I will be forever grateful for their participation.

Over the past couple of years, New Media Expo has been instrumental in our Awards Ceremony’s success. I feel certain that the NMX team is ready to take The Podcast Awards to the next level.

Of course, I am not disappearing. I will have a founders’ role and will advise the NMX team in the development and production of the 10th annual event, April 14th in Las Vegas, NV. While Rick and his team will likely make some changes along the way, the spirit of the Peoples Choice Awards will still remain, with the nominees and winners being selected by the listeners, fans and podcasters.

See you at the 10th Annual Podcast Awards

Todd

See New Media Expo Comment


Great Inexpensive Podcast Album Art



If you have not heard of Fiverr.com before and your a podcaster you need to listen up. In the graphics department I have no skills, so I am always outsourcing new album art. Well Fiverr.com is a website where you can get album art, banners and a whole bunch of other cool stuff done for a Fiverr $5.00.  I want to show you the album art series that have been delivered to me over the past few. If you shop around you can get designers to make you multiple designs in a single order.

I am going to post a few here but you can visit this link to see the full series.

new_media_show_1bGNCgadget_Professor_2


Two Principles to Building a Successful Podcast



This October I will celebrate Geek News Central’s 10th anniversary and my one-thousandth episode. Throughout the past decade, I have enjoyed watching podcasting take off and I am proud to be an integral part of its growth. My success with my own show is a direct result of practicing what I preach and following two principles each and every episode.

First I want to provide some background. When I started GNC I did so with an explicit goal to have the show profitable in 24 months, and to be a full-time podcaster when I retired from the Navy in October 2007.

My initial focus was exposure and profitability, which resulted in me launching a tech network in January 2005, writing the first podcast book, “Podcasting: Do-It-Yourself Guide,” released in May 2005 through Wiley Publishing, GoDaddy sponsoring my show in July 2005 and doing the first multishow network sponsorships in August 2005. All this led to the formation of RawVoice / Blubrry.

There are many ancillary stories that go with each of the above events, so while all of that was happening I remained focused on two principles for my podcast.

1. Deliver value to my audience each and every episode, respecting their time, have fun doing it and, most importantly, maintain my integrity by being 100 percent open and honest.
2. Administratively owning, controlling and building my brand.

While Principle No. 1 is obvious, I want to give you top level insights on why owning, controlling and building your brand is critical.

The obvious thing in owning and controlling your brand is perception. If a listener cannot find you on the Web, and or your show is buried on some third-party site, you have a strike against you. Today’s listener will question whether you’re serious and worthy of her or his time.

The solution is that you must have a permanent Web presence that you own and/or control. The first thing to do that is to buy a .com and put up a WordPress site. Invest in some graphics and give your site the flair and personality “you” choose, not someone else’s vision. Invest time in your site making it a valuable destination for your audience and future audience.

For nearly 10 years my audience has come to GeekNewsCentral.com to get the latest tech news and most recent episodes. It is the main hub. I syndicate my show externally, but all links lead back to my site, my brand and my content.

The second thing is never, ever allow anyone to control your RSS feed. This is your intellectual property. You do not need FeedBurner and you do not need to give third parties control of your feed. I have been evangelizing this since the beginning. My RSS feed URL on my site has not changed in 9 plus years.

I am sure some get sick of me saying this, yet for many who did not listen, they often tell me later “I should have followed your advice.” By having your own .com / website you can easily control your brand, feed and grow content which will be indexed by search engines..

Third, choose wise alliances. Put up your defenses when you hear the word exclusive coming out of anyone’s month. Exclusive often means loss of control.

There is no way I would ever sign an exclusivity agreement, and those we work with are not asked to either. It is one of the primary principles of my company and my show. If you are thinking of doing so, here are the things that I would consider a minimum requirement for exclusivity:

  • Guaranteed minimum monthly revenue
  • 30-day termination clause
  • Opt-out rights for inappropriate advertisers
  • Advertising contract transparency, aka auditable on demand
  • Revenue share percentage
  • 100-percent show ownership

 

There is significant history for me saying this, we have seen several examples where content creators have lost their show and audiences, are forced to run inappropriate advertising, given gag orders, and a host of other really nasty stuff. Always seek a lawyer to review any exclusive contracts.

Today, I speak worldwide on new media, I hold podcasting bootcamps for corporations, and do consulting and interact with podcasters, advertisers and everyone in between on a daily basis. But in the end, the two principles above have been the difference between the success or failure of my show.

I want you to grow your show and have fun doing it. Building a successful show is a lot of work, so stack the deck in your favor by following the two principles above.

Finally, I hope you will tune into the New Media Show and get great insights from successful podcasters. Everyone has something to share; my goal and that of co-host Rob Greenlee is to provide you with new ideas. We think it is the most insightful show in the podcasting space, and we do it just for you. Check us out at NewMediaShow.com.


Digging Deep into Mobile Podcast Statistics



Summer is here and we’re all headed out and about, enjoying the sun. With children out of school, many of us will be going on summer vacations and will be mobile more than ever. Five years ago, June, July and August meant a slow-down period for podcast listenership. That’s not the case anymore because folks no longer need to be at home to download a podcast and sync it to listen. The summer drop in listeners has largely been mitigated by better connectivity.

Today, I am going to give you some global statistics on how media is being consumed — specifically on mobile devices — and where apps break out. I will also touch on the players out there that do not allow us to count them.

I want to emphasize that your show might not be tracking as I outline below; each show is a little different and will likely have a different top 10 depending on where they are telling their audience to go access the show. My show, Geek News Central, still tracks heavier on Web consumption because my blog has new non-podcast content on it daily.

In almost all cases, though, here is how global distribution looks today from top to bottom:

1. Podcatchers
2. Mobile Applications
3. Mobile Phone Web Browsers
4. Web Browsers
5. Tablet Web Browsers
6. Unknown Agent
7. TV / Set-Top Boxes

I am not going to focus on the actual platforms today, but I will say that because of the dominance of Windows iTunes users, the number of Windows users consuming podcasts is nearly three to one.

But lets look real close at the mobile side. Sadly there are a number of app developers out there that do not provide what we call a “user agent.” Every time a file download / stream request is made, the user agent (aka the actual program that is making the request) does not identify itself. Apps such as those produced by Libsyn / Spreaker cannot be measured; thus they get no credit and are either counted as unknown or get lumped into iOS or Android.

Although we are not able to classify the app, we can usually tell if it falls into the mobile category.
Here are the top 10 mobile clients / apps as of May 2014.

1. iPhone 33.5%
2. Podcast for iOS 31.5%
3. Android Mobile 8.7%
4. iPad 7.0%
5. Stitcher for iOS 4.3%
6. Downcast for iOS 3.1%
7. Beyondpod for Android 2.5%
8. CFNetwork (iOS Apps) 2.0%
9. Stitcher for Android 1.7%
10. Chrome (Mobile) 1.4%

The Top 10 Apps make up 95.7 percent of all mobile downloads in May from a pool of 63,152,570 mobile downloads. The graph below is the money-shot showing you the 30 or so mobile apps / devices we track and the dramatic roll off.

stats3

The 20 or so remaining apps we track collectively had 4.3 percent of the of downloads for May, so the bottom 20 have a lot of growth potential.

As you can see, mobile apps are accounting for a lot of listens, and even though there are more +Android listeners worldwide, the Android community is largely missing. So if you are looking for growth in your show, you need to start promoting more Android apps and dedicating some how-tos on your website to attract more Android listeners.

Next month we will dig deeper into global stats. My team is dedicated to providing the most comprehensive statistics data in the podcasting space. Start using our free stats at Blubrry.com today. See you next month Todd.


The Holy Grail of Podcast Statistics Listener Listen Percentages



As promised, let’s talk about a topic I brushed on last month while I dug into the nitty-gritty of podcast statistics data: Listener-listen percentages, the holy grail of podcast statistics data.

By looking at the raw data of the media server logs, we can now calculate exactly how much of an individual media file was delivered to a listener. With a great number of podcast listeners simply clicking “play now,” versus downloading the file first, oftentimes the entire media file is not delivered.

When you click “play now” on most devices, the media is delivered to you in chunks, aka the infamous Byte Serving. Byte Serving is essentially — without getting too deep — how Apple and other mobile providers send you the media in pieces instead of downloading the entire file at once. Depending on your Internet connection and a lot of other variables, a 100 mb file could be broken up into 100 chunks on one request and 500 the next.

So if you listen to 15 minutes of a 30 minute podcast before clicking “stop,” there are many chunks / minutes of the podcast media file that have not yet been served to you. With this data we are now able to get an exact percentage of a file downloaded.

We can stitch those chunks back together and tell exactly how much, how little, or whether the file was served in it’s entirety. We have detailed data on each and every media file request.  It is pretty neat when we can see that a listener scrubs forward to, let’s say, the 10 minute mark and starts listening there instead of the beginning.

By now you can see where I am headed. The media delivery percentages really tell an incredible listener engagement story. To do this it takes a huge amount of processing to stitch, calculate and build sensible reports for our corporate clients. This data then allows them to do a lot of cool things. Here are a few:

*Make programming changes based on trends showing when an audience bounced out.
*Determine peak listening for ad placement before drop off.
*Provide accurate billing to advertisers.

One of our vendors had a show that lost about 80 percent of its audience each episode around the 23 minute mark. The producers knew that at that point in their program was a segment change. Upon removal of that segment, nearly their entire audience kept listening through to the 45 minute mark.

In another show, the audience scrubbed up — or jumped ahead — to about the 5 minute mark before they started listening. The show hosts revamped the beginning of their show and advertised the new change at the 7 minute mark, and regained the audience at the intro.

I want to be very clear here: This gives our clients inferred data on what is happening with each and every episode, no one to date is providing a signal that an app has been closed or the listener hit stop.  An assumption that they hit stop can be made, but may not always be the case.

The bottom line is that the listening session ended. If they come back later and pick up where they left off, we have other techniques that allow us to account for that action as well.

Simply watching the trending lines of the show’s audience over time has allowed our clients to tweak their shows, gain advertising revenue by better placement, and use a high level of sophistication to understand exactly what is happening with their listening audience.

For podcasters that host their podcast media with Blubrry, we will have an option to opt-in for similar data in their stats later this year, along with some yet-to-be announced data sets that will enable us to “close the loop.”

My goal in these first three articles has been to educate you that measuring media accurately truly is rocket science and we are pretty pleased to be the scientist behind that rocket. My team lives and breathes this everyday, and we hope that all networks and podcasters alike will trust us as tens of thousands of podcasters, networks and radio stations already do in their podcast media measurement.

Next month I want to switch gears and talk about mobile and the trends we are seeing in the utilization of mobile devices and even apps that are trending in the space. I will also cover some of the frustrations we have in tracking some of the mobile apps being used by podcasters today.

At Blubrry, we want to work together as a community to make sure that there are solid, reliable statistics and no misleading numbers in the podcasting space. If all podcasters utilized trusted solutions the space would be much better off in the long run.

Send your comments and questions to ceo@rawvoice.com

Catch my personal podcast @ GeekNewsCentral.com and tune in to our weekly New Media Show co-hosted with Rob Greenlee at NewMediaShow.com.