Category Archives: Podcast Discussion

NOW Can We Call It Cool? A Perspective on The New Rode RODECaster Pro



The Logitech Over-The-Ear Headset - Circa 2005I have been capturing, editing, promoting, producing and creating live capture facilities where the focus is talking about podcasts since 2005 and guess what? I’ve never required anyone give me a “multi-track series of files” to get any editing, production or podcast-based generation done – ever.
While I know this probably knocks back the sneakers of a variety of you reading, I wanted to first talk about what was, what is, and what shall be in the very near future.
My first podcast in 2005, was recorded as a Windows Media Player .WAV file, created with two el-crappo (that’s an official designation) Logitech, over-the-ear gaming headsets a ton of frustration and more ums, ers, uhs, y’knows and lipsmacking than anyone on planet Earth has ever experienced – as one, single file.
My most-recent podcast, captured just last night (2019), was captured via a Zoom H6, via Heil PR-40s, captured into a single-track .WAV file.
While each featured editing, post-production and an ever-shrinking UmErUhYknow Reel, each of them featured a couple of guys talking, that didn’t generally “talk over” each other.

“Where are you going with all this, Mike?”

I have used probably every device, doo-dad and “what if we try this” that’s been put out to capture podcast content over the years, and recently, a marvel of concept, technology and project completion was release by a company called, Rode. The device is a complete, in-on-simple small console device podcast recorder called The Rode RODECaster Pro. Put as simply as Doc Brown did inside the original Back to the Future feature film when referring to Mary’s camcorder as a “portable television studio”, The Rode RODECaster Pro is literally the central component to anyone’s future, much-portable Podcast Studio. Everything from the mic inputs, to the headphone inputs, to the cell phone inputs, to the optional sound/firing buttons for media files and sound effects, that even saves all of the information locally so that two mics, some cables, and a power source net you a literal, portable podcast studio. It. Is. Amazing. It. Is. Simple. And when it came out, it was resoundingly “hated” by all of the people that thought it was “kind of a good idea” except of course for the fact that it “didn’t record in multi-track.” Well, that’s getting a deployable software fix so – now it WILL capture and provide multi-track for anyone that has one.

NOW can we call this officially a great idea and product?

I guess what I’m driving at the most is that, especially inside an edited program, how often is crosstalk/talking over each other/whatever your team calls it – a giant problem? When you have an interview show that has lots of new guests or perhaps people that just don’t care of they’ve not taking appropriate turns – I guess i can see it. But I’ve literally never had a problem leaning across the desk, or into the teleconference suite speakerphone being used to capture the interview (that’ll be yet ANOTHER !GASP!-creating article) and asking the person to “remember, let’s take turns speaking so that people can hear what point both of us is trying to convey.” It’s one of the largest frustrations I have when reading “reviews’ of the Rode RODECaster Pro. My very brief note of it above DOES NOT DO THIS INSTRUMENT justice, but let’s be plain – this is newfound technology collective magic, for a good price, from an experienced company, in a burgeoning industry, that will be changing the podcast environment.
To whine incessantly because it “doesn’t record in multi-track” is something I just don’t comprehend, especially knowing that “the fix” was coming/will be a software update. There are a handful of other detracting elements (most-notably, that it will only record currently to an on-board micro-SD card – it is small, it is persnickety for those of us with reasonably el-crappo eyes) that just can’t possibly pile up to plunder the potential podcast punch this product promises to deliver.

What’s Your Worst-case Crosstalk/Talk Over Each Other Sample?

So I ask YOU – tell me YOUR “worst crosstalk/talk over each other moment, and why you let it continue so much that you now REQUIRE to have multi-track recordings for say, editing jobs where interjecting some simple direction would make things simpler, smaller, and much more straight forward!
Do it in the comments below!

What is the Value of your Podcast Brand?



It’s never too late as a podcaster to take control of your brand. It’s important though to consider the ramifications of not doing so.

When you say Starbucks everyone knows that company it has global brand awareness. Most podcasters will never achieve global brand awareness but some have. Some podcasts have created massive shows in the content space that has gained them national attention. Let’s look at the Lore Podcast everyone in Podcasting, Hollywood and 100’s of thousands of Lore fans have heard of the podcast and the team behind it has had monumental life-changing success.

Both brands have several common elements of brand awareness but I want to focus on one. Each has their own branded online destination that they own and share with no other! Starbucks.com and LorePodcast.com

Can you imagine Starbucks having an online presence that was at Starbucks.TheirPodcastProvider.com. this would be considered brand suicide.  It also is hard to even imagine that Lore Podcast could have achieved the success it has had today, building its brand at LorePodcast.ThierPodcastProvider.com.

When I started my show, I had already been a blogger for a couple of years, before I became a podcaster. The one thing I learned in the time before I started podcasting was that my website at its own .com started opening doors to people in the space I was writing in, and the brand became as valuable as the guy writing the blog posts. I spent a lot of time building my sites brand, and my own personal authority to go with it so that when I launched my podcast it was just another content angle that for many years dominated the website.

Today Podcasters are joining the podcasting space in the thousands monthly, and they are competing for ears to their shows and their sites. Sadly many of the shows cannot even be found on Google. It’s really not there fault, most podcasters are very creatively and assume that if they create great content listeners will come. Many take the easiest path to start their show in the excitement of getting started on their hosting provider’s sites.

Podcasters often realize when their shows are not growing that they have to find a way break out, part of that process is getting the branding of their show under there full control. Sadly though some never do and are happy being the product for their hosting provider to attract more creators.

My team understood though that a lot of podcasters jump in with both feet, often not knowing these pitfalls. I wanted our customers to have a way to get started fast, and then graduate their shows when they got dialed in through our guidance and provided a simple upgrade path to control their brand, so their shows could become the next Lore Podcast.

Today we see a lot of shows have that light bulb moment and understand the value of separating their brand from their hosting provider’s sites. Not all Podcast Providers provide an upgrade path where a host can bring their own domain, some host would rather the podcaster continue to be a product of their brand and would never suggest they get their own domain.

My teams first and foremost goal is to get a show host started using all the best practices before episode one drops this includes a site with their own domain. To our relief, nearly 80% of our customers are dialed in from the beginning, and we see very low show failure rates. For those shows that get started fast, we make it easy for theirshow.blubrry.net to graduate to theirshow.com by a couple clicks of the mouse.

The number of top-level domains has exploded so finding a domain is no longer difficult. My personal site/show which has resided at the same domain since 2002. The domain and thousands of content pieces on its brand brings in significant revenue. I would not take anything less than 1 million dollars for my sites domain and brand but back in 2002 if someone had offered me $500 I would have sold it without thinking.

In hindsight, I really did not know I was building a brand that would sustain my family and be that valuable. But I do today and I want every podcaster who has started or is getting started podcasting to consider the importance of building your brand, your show, your podcast, straight out of the gate. So hunt down that perfect domain today and align it to your show and quit being the product of your hosting provider.

Todd Cochrane is a Podcaster who has hosted the Geek News Central Podcast since October 2004, and is the CEO of RawVoice/Blubrry who’s services power 80,000 podcasts globally while respecting their brand and content.


Proven Social Media Strategies for Podcasters



Many podcasters struggle with trying to build their audiences, yet we find podcasters that only have their podcasts on their hosting provider with limited information being posted about each episode. It’s like they purposely want to fail. The following presentation was presented at Podcast Movement 2017 to a standing room only crowd, and also repeated on International Podcast day. This is not a video teaching you how to tweet, but proven social strategies to grow an very large audience. If your struggling or just want some new ways to build your show I cannot stress enough how valuable this presentation is.


Bit Bandit Is a Handy App for Calculating Audio File Size



BitBandit LogoWe live in an ever-increasing world of “unlimited” services. But one place that utopian vision of “everything all the time forever” doesn’t really apply is podcast media hosting. That’s why it can be useful to know how big your media files will be before publishing them to the web. But the only method that’s usually available to determine file size is to simply encode a file and check its properties. That process works but it’s far from efficient.

Billed as “A bit rate and file size calculator for audio engineers,” a new mobile app called Bit Bandit can help you calculate file size before encoding:

Use it to quickly calculate the bit rate of a piece of audio based on its sample rate, bit depth and channel count. Display the results in units of your choice.

Bit Bandit can also calculate file size based on bit rate. Commonly used bit rates are included by default.

I downloaded Bit Bandit and did some testing. It has two sections. A Bit Rate section and a File Size section. The Bit Rate section is really more of a curiosity than anything else. But it might be fun to play around with if you’re a math nerd.

Bit Bandit Bit Rate
Bit Bandit Bit Rate Calculator

The File Size calculator found within Bit Bandit will definitely be of use to podcasters. In the example below, I told Bit Bandit to calculate the size of a file that’s 1 hour, 30 minutes long, and is encoded at 96kbps. The app told me that my file would be in the neighborhood of 63.3MB.

Bit Bandit File Size
Bit Bandit File Size Calculator

Bit Bandit is a free download for both iOS and Android. The app developer has suggested there will be a paid version of Bit Bandit with enhanced features in the future.


Good Moderating of Comments is Key



Screen Shot 2016-02-28 at 6.50.07 AMThere is a commonly shared piece of wisdom that says: “Don’t read the comment section”. The reason is obvious. If there is a space online where people can post a comment, and that space is poorly moderated (or not moderated at all) things have the potential to get ugly. Good moderating of comments is vitally important.

The Longest Shortest Time podcast recently shut down its Facebook moms group. The podcast is hosted by Hillary Frank and produced by Abigail Keel. The show is described as “the parenting show for everyone”, so it makes sense that they would have a Facebook group for moms who are fans of the show. (It also had a Facebook dads group for fans of the show.)

According to an article at Neiman Lab, the moms Facebook group had 18,000 members. The same Neiman Lab article notes that not all of the people in that Facebook group were listeners of the show. Some joined simply because they enjoy parenting-related Facebook groups.

An article at The Cut notes that discussions taking place at the Facebook group got contentious after the size increased. It also notes (and I am summarizing greatly here) that the content of the discussions became more negative after things got political.

Between the two articles, it appears there was a point where Hillary Frank and Abigail Keel considered increasing the number of moderators. In the end, they decided to close the moms Facebook page in favor of focusing more time and energy on the podcast itself.

I once was a moderator for a podcast about a video game. The podcast did live shows. I found the experience of moderating the comments posted by people who were watching the live episode to be exciting and exhausting (at the same time). I learned that good moderation of comments was key to keeping the fans of a podcast engaged and invested.

I also learned that moderating comments is a difficult task. It is easy to make mistakes about what to allow and what to remove. It can be difficult to discern when a moderator should get involved. There are people who will complain about decisions made by a moderator – and that can make things stressful for both the moderator and the fans who read the angry comments.

What can podcasters learn from all this? Lack of moderation (of comments, Facebook fan groups, and forums) can lead to a lot of disgruntled listeners. Some people won’t want to return to a space that has become very negative. The plan you created to moderate a small group needs to expand as the group grows. Be proactive and add more moderators periodically as your fan base grows in number.


Reactions to NPR’s New Measurement Guidelines



NPR logoThere’s been a lot of talk about measurement in the podcasting space as of late. As more attention has become focused on the medium in terms of press coverage and money, the pressure has been on for podcasters to come up with a standard for measuring podcast plays. Groups like IAB (and the Association of DownloadableMedia before it) have tried to come up with a consensus on how podcast downloads and plays should be measured. It’s been an ongoing process that’s taking feedback from hundreds of different digital media services and content creators.

It looks like NPR didn’t want to wait for an industry-wide consensus on measurement. Last week, the public media giant released Public Radio Podcast Measurement Guidelines v1.1, a comprehensive document that shows how NPR defines what should (and shouldn’t) be counted as a podcast download. In the document’s introduction, it refers to the current state of podcast measurement as “the Wild West,” implying that, when it comes to podcast stats, anything goes. The document also notes that its “standards” were created solely by NPR and its related organizations. No input was considered from IAB before NPR went public with these guidelines.

On one level, NPR deserves some credit for trying to move the measurement process forward. But from a different angle, the organization has just trampled over podcast measurement systems that have been in place for years. In an article on Observer’s Business & Tech site, Rob Walch, VP of Podcaster Relations at LibSyn gave his thoughts on NPR’s measurement guidelines:

…Rob Walch, a vice president at Libsyn, sees the public radio guidelines differently. ‘I think the way they went about this was heavy handed and arrogant at best,’ Mr. Walch said in a phone call with the Observer. He objected especially to the document opening with the ‘wild west’ language, when, he argues, companies in the podcasting industry, such as his, Blubrry and Podtrac, have been discussing this question for some time. ‘The reality is that podcasting has been around for 11 years, and there are companies that understand podcasting methods better than NPR,’ he added.

Blubrry also crafted its own response to NPR’s measurement guidelines:

For the past 11 years, RawVoice / Blubrry and other leading companies in the podcasting space have worked tirelessly to provide accurate reporting to podcasters and media buyers. The ‘Wild West’ statement in the document is unwarranted, RawVoice / Blubrry is asking the coalition to retract the language, and publicly recognize those who have successfully championed meticulous, rigorous and precise podcast reporting.

It’s hard to say for sure how these new NPR guidelines will affect podcast statistics going forward. Due to the massive popularity of NPR shows, the organization can throw around a lot of weight in the podcasting space. If media buyers who place ads on podcasts look at NPR’s statistics method as the best way to gather download numbers, will those buyers then force other, more established statistics platforms, to fall in line?

Disclosure: I work part-time with the Blubrry support team and Podcaster News Executive Editor Todd Cochrane is the CEO of Rawvoice, parent company of Blubrry.


Blubrry Goes Deep into Podcast Statistics



Blubrry LogoThere’s been a lot of discussion about podcast statistics lately. As the podcasting industry continues to expand and more players move into the space, differing opinions have arisen as to how podcast listenership should be measured. Of course, podcast statistics themselves are nothing new. Companies like Podtrac, LibSyn, and Blubrry have been recording and reporting statistics for years. And while it seems like this topic should be rather straightforward at this point, there are still a lot of misconceptions out there about how podcast statistics work.

Last week, Blubrry/Rawvoice CEO Todd Cochrane and Blubrry/Rawvoice CIO Angelo Mandato recorded an hour-long video presentation on the topic. The pair took a dive deep into the massive pool of statistics they’ve gathered thru the Blubrry podcasting network:

This is a in-depth behind-the-scenes look at how Blubrry Podcast Statistics measure and filter every podcast downloaded / live play delivering an accurate report to our podcasters, network customers and media buyers.

This deep dive video, while long, is perfect training for podcasters, reporters, media buyers and anyone else in the media space that want’s to understand how Podcast Statistics work.

Check out the video thru the link above or watch it right here:

Disclosure: I work part-time with the Blubrry support team and Podcaster News Executive Editor Todd Cochrane is the CEO of Rawvoice, parent company of Blubrry.


Podcasting and Thanksgiving



Thanksgiving balloon by Jen Thorpe 2015It has been said that podcasters should give their fans a very special episode to listen to over the Thanksgiving holiday. No, not “very special episode” as in the After School Specials from back in the day. Instead, the idea seems to be to make sure that you put your best effort into the episode that will be released shortly before Thanksgiving.

Going along with this idea seems to be one commonly heard in the podcast-o-sphere. There is talk that releasing a fantastic episode for Thanksgiving could not only make your loyal listeners that much more interested in your podcast, but might also draw in new listeners.

Following that line of thought is the hope that at least some of the people who heard your extra-awesome episode will contribute to your Patreon. You do basically have a captive audience of commuters, right? Some of them might appreciate a well done podcast to listen to while they travel.

In general, I think the idea that: “Great Episode + Thanksgiving = You Win The Internet” is overly optimistic. It doesn’t take into account some of the realities surrounding Thanksgiving. Americans celebrate Thanksgiving in November. Canadians celebrate it in October. People in other countries might not celebrate it at all and have their big holiday meal with the family over Christmas.

While it is true that many Americans will have at least a few hours off during what has become “Black Friday Weekend”, your international listeners will be having a typical work week. As such, your extra special episode might have more impact if you post it for a milestone episode (like episode 100, for example) than if you release it during Thanksgiving. People from all across the world can take time to tune in to a milestone episode of a show they are interested in. It’s a bigger audience than you might get during the hectic Thanksgiving holiday.

Another thing to consider is what might seem natural, but can turn out very awkward. The first year I did NaPodPoMo almost all of the American podcasters did an episode about Thanksgiving on or after Thanksgiving day. This resulted in some interesting takes on the Thanksgiving holiday, and some fun soundscapes, but it was difficult to differentiate them from each other. Nothing stood out because they were all on the same topic at the same time.

Your listeners might find it strange if you spend an episode talking about an American holiday that takes place in November if it isn’t something that fits the general topic of your podcast. Historical podcasts could delve into the pages of history to talk about the holiday’s origins. That topic might be a nice fit. Podcasts about travel might make that work, and so could family history or genealogy focused podcasts. However, podcasts about other subjects might not be an appropriate place for an episode about Thanksgiving.