The New York Times is Launching a Podcast Team

The New York Times logoThe New York Times is in the process of creating an audio team that will work to launch a handful of new podcasts in 2016 and 2017. Those podcasts will focus on news and opinions and will be produced with outside partners.

Modern Love was the first podcast that the New York Times launched with an outside partner (in this case, that partner was WBUR in Boston). The introduction episode of Modern Love was released in December of 2015, and the official first episode was released in January of 2016.

Modern Love is hosted by Meghna Chrakrabarti (WBUR) and New York Times Modern Love editor Daniel Jones. Together, they share some of the best stories about love today. The content of the show is based on the New York Times Style section column (which is called “Modern Love”).

Neiman Lab reports that the creation of new podcasts was mentioned in a New York Times memo. It indicates that the company will “use those shows as a platform from which we can build audience for shows produced within The Times that are as integral to our coverage as our live events and visual journalism efforts.”

In other words, the main reason why the New York Times wants to launch some podcasts is in the hopes that the shows will pull in revenue and attract listeners at a broad scale. The New York Times already has three in-house produced podcasts that are not revenue-driven. Those shows are: Inside The Times, Inside the New York Times Book Review Podcast, (which is celebrating its 10th anniversary) and Music Popcast.

The New York Times has already started putting together an audio team. They include:

* Samantha Henig – will be editorial director of the new audio unit

* Kelly Alfieri – will be executive director of special editorial projects

* Diantha Parker – will be an editor and senior audio producer

* Catrin Einhorn – will be an audio producer

* Adam Davidson – will be an adviser. (He is the co-founder of NPR’s Planet Money and co-host of Gimlet’s Surprisingly Awesome.)

The New York Times is currently seeking an executive producer who will craft the creative vision of the audio team.

Werk It Women’s Podcast Festival Will Happen in June

Werk It a Womans Podcast Festival logoWYNC Studios will hold Werk It a Woman’s Podcast Festival on June 15-17 of 2016. Space is limited and attendance is by application only. The applications are due on April 15, 2016, by 11:59 p.m. Werk It will take place at the Jerome L. Greene Performance Space in New York City.

Werk It brings together innovative women working in audio and digital media who are looking to hone their skills, meet others in their field, and learn from peers and experienced industry professionals.

The event includes “uncomfortable conversations and invigorating debates”. There will be mentoring, networking, and story workshopping. There will also be three straight nights of live podcast tapings from some of the most provocative and inspiring women hosts in the biz. Some of the presenters for this year’s Werk It have already been revealed. More speakers will be added later on.

Speakers include:

* Jessica Williams & Phoebe Robinson – Co-hosts of 2 Dope Queens

* Manoush Zamorodi – Host of Note to Self

* Molly Webster – Features producer and Guest Host of Radiolab

* Jessica Chaffin & Jamie Denbo – Co-hosts of Ronna & Beverly

* Kate Bilinski – Mix Engineer/Music Director of Serial

* Mitra Kaboli – Senior Producer of The Heart

Horror Addicts Podcast has a Podcast Author Challenge

HorrorAddicts net LogoHorrorAddicts.net started in 2008 when Emerian Rich finished the podcasting of her vampire novel and wanted to keep her listeners interested in a show that talked bout what they liked: horror. Every year, HorrorAddicts.net hosts two contests. The theme changes every year.

This contest is for writers / podcasters. To enter, you need to “write a kick-ass horror story and either produce in audio yourself, or have your friends help you out”. Technically, it would be possible for someone who is a writer, and who has some familiarity with audio production, to enter the contest. Participants are not required to have their own podcast (but I can see where that experience may be helpful).

The contest is titled “Most Wicked 2016”. There are two sections of the contest. One is for men horror writers and the other is for women horror writers. People can enter the “Most Wicked 2016” contest for free. Registration closes May 1st, 2016.

The winner of each section of the contest will earn a special title. For men, the title is “Master of the Macabre” For women, the title is “Wicked Women Writers”. The theme of the “Most Wicked 2016” contest is “Twisted Urban Legends Audiodrama”. Each participant will be randomly assigned an urban legend, a setting, and an obscure item to incorporate into their audiodrama.

Some Further Details Include:

* Write and record a horror story – fitting in the theme and extra elements

* The style should be audiodrama – music, sound effects, and two or more voices are required

* The audio MP3 can be no longer than 10 minutes.

* The text can be no longer than 3,000 words.

* You cannot compete if you have won “Master of the Macabre” or “Most Wicked” awards before.

Podcast Awards Reveals New Rules for 2016

Podcast Awards logoThe People’s Choice Podcast Awards has revealed the new rules for 2016. This is the biggest change in the history of the Podcast Awards and the first step in establishing long term viability for the awards.

Many details of the Podcast Awards are being updated, including the website, which is in need of a massive upgrade. (Those that want to help make that happen should check out the GoFundMe that has been set up for the project).

The New Nomination Rules and Show Eligibility are:

1. Any show podcasting since January, 1, 2016, with 10 episodes and who has published a new episode within the past 30 days of the open nomination period is eligible for nomination of a Podcast Awards.

2. Any show that won a podcast award in the 2015 Podcast awards is not eligible for nomination in the current year’s awards.

– The show that won in the previous year will present the award to this year’s winner and be recognized. If not able to participate the show will be recognized and an alternate presenter will be selected by the steering committee.

3. Any single show that has won 5 Podcast Awards total in any category in the past 10 years or 4 Podcast Awards in any category in the past 5 years will be designated a “Legacy Podcast” and earn permanent placement on the Podcast Awards Site. The show hosts for those shows will not be eligible for future awards for that show, but will gain placement on the Podcast Award Steering Committee, making them ineligible for an award.

4. Legacy shows will be honored Annually at the Podcast Award Ceremony.

5. Any Show wishing to be considered for nomination shall register via the registration page and pay via PayPal a nominal $10.00 registration fee. The registration fee is simply to qualify podcast hosts that want to participate, and or be part of the awards process to include showing up for the Awards ceremony or providing a video acceptance speech.

– Shows that do not register will not be considered for the slate of finalists regardless of the total number of nominations they receive. Shows may register anytime before the nominations close on April 30, 2016. The registration fee is non-refundable, even if the show does not make the final slate.

– For 2016 all nomination registration fees will be used to help fund the rebuilding of the Podcast Awards website for the 2017 event. All shows that have registered and paid the fee will be listed on the podcast awards site shortly after nomination closing, even if they are not finalists.

Explore Podcasting’s Early Days with The 2005 Podcast Core Sample Collection

Internet Archive logoI began listening to podcasts in late 2004. Since then, I’ve downloaded (tens of?) thousands of individual podcast episodes. Most of these were listened to once and immediately deleted. Why would I ever want to listen to an episode twice, I thought. It’s been well over a decade since those early days of the medium. At times, I think it’d be nice to revisit some of the first podcasts I listened to. Problem is, many of those shows have disappeared from the internet, while others that are still around no longer keep full archives of their episodes online.

Not all hope is lost when it comes to revisiting pods of yore. In February of 2005, Jason Scott, a blogger and avid collector of digital media, took on the task of downloading and saving all of the podcasts he could find:

So one day I looked at Podcasts. I liked some aspects of them, so I am downloading all of them. Every one. I am going back and swiping older ones as I can find them, but I’m still in the process of getting every single one, so it’s taking some time. I have them in languages I’ve never spoken, and I have listened to less than one tenth of one percent of them. At last count I’m at 75 gigabytes of podcasts which works out to roughly 7,500 individual files. I suspect there are doubles and many missed files, but we’ll see if that comes with time.

Last year, Jason began uploading his collection of podcasts to the Internet Archive. Last month, he announced that the collection was live and accessible to the public. These files can be found under The 2005 Podcast Core Sample Collection. Jason estimates that the collection holds about 14,000 files saved from about 540 different shows.

I’ve searched the collection for shows I listened to (and produced) from 2004/2005. I’ve had some hits and some misses. Regardless, it’s great that this collection is now available to anyone who’d like to hear what podcasting sounded like in the beginning.

Tip of the hat to Radio Survivor, who covered the Core Sample last week.

Binging on Transcribed Advertisements – PCN Show 029

PCN iTunes artworkIn this episode, Shawn and Jen discussing “binge-listening”, touch on the recent NPR controversy, and bring up an often overlooked reason why it is important to transcribe your podcast episodes.

Links Mentioned in this episode:

* Listening is the New Watching: The Best Podcasts to Binge-Listen While You’re Traipsing Around Campus
By Jasmine Kemper on College Times

* Deaf Man pleads with Bill Simmons to transcribe podcasts
By Dan Cahill on National

* This is the most unsatisfying thing about podcasts
By Francine Hardaway on Phoenix Business Journal

* Should You Advertise on Podcasts?
By Bob Hutchins on Business 2 Business

* NPR decides it won’t promote its podcasts or NPR One on air
By Joshua Benton on Neiman Lab

* Why NPR Changed How It Talks About Podcasts
By Elizabeth Jensen on NPR