Facebook Updates Metrics and Reporting

Facebook logoThe ever-increasing reach of Facebook is undeniable. The social networking site has added many new features over the years to extend its ability to connect people and deliver different forms of content. One of Facebook’s latest endeavors, Facebook Live, has already been used by many podcasters as either a broadcasting tool or a way to provide supplemental content. And while Facebook Live may prove to be useful to independent producers, it’s also being used by large brands. This interest is likely what led Facebook to review some of its metrics and reporting practices. The company recently published a blog post on its Facebook Business site addressing changes it has made to these systems.

The one item that may be most interesting to podcasters is Facebook’s new policy for measuring video completion. Video completion is Facebook’s stat for showing that a video has been watched all the way to the end:

When partners upload their videos to Facebook, the full video length is recorded, but when the video delivers to people’s devices, the length of the video can sometimes be a fraction of a second shorter or longer. This occasionally happens when the audio and video track don’t line up, owing to differences between video players and devices. While someone may watch a video to completion on their device, the audio may continue to play for a bit longer. This particular issue caused us to undercount the metric ‘video watches at 100%’ (previously named ‘video views to 100%’). Moat found this and reported it to us. We are now updating how we read the video length to address this issue. This may result in roughly a 35% increase in the count of ‘video watches at 100%.’ For example, if ‘video watches at 100%’ were 1%, they would now be 1.35%.

(Note: Moat is one of Facebook’s third-party measurement partners.) According to the above paragraph, Facebook will be tweaking its “views to 100” metric retroactively, so producers may see a noticeable increase in this category when viewing their stats.

A different Facebook feature that probably isn’t used by many podcasters yet, but might be used more in the future, is Instant Articles. There are also changes coming to how Facebook measures interaction with Instant Articles:

Instant Articles is a way for any publisher to create fast, interactive mobile content on Facebook. We also provide publishers with insights to help them understand how their content is consumed. We’ve determined that the average time spent per article had been over-reported by 7-8% on average since August of last year. This was caused by a calculation error: we were calculating the average across a histogram of time spent, instead of reflecting the total time spent reading an article divided by its total views. We have now fixed this issue.

Here we have a case that’s the opposite of what happened with the video metrics. If you’re already using Instant Articles and saw the “average time spent” metric go down, that happened as a result of the changes covered in the above paragraph.

These two examples just barely crack the surface of all of the changes Facebook is making to its metrics and reporting system. Click the link above if you’d like to learn what else Facebook is working on in this area.

iTunes Announces Winter Content Submission and Holiday Support Schedules

iTunes logoEvery year, things slow down a bit at Apple during the holiday season. And 2016 is no different. Last week, Apple sent an e-mail to all registered iTunes Store content providers to let them know what Apple is planning for the rest of the year.

The e-mail has two sections that will be useful to podcasters. The first section is titled Winter Content Submission Schedules. These schedules are the dates that Apple staff will be available to review new submissions to the iTunes Store. Apple provided a handy chart that shows when you should submit a new podcast, depending on your projected launch date:

iTunes 2016 Winter Submission Dates

Note that this chart applies to the submission of new podcasts only. It has no impact on shows that are already listed in the iTunes Store. The e-mail from Apple also states, “If you plan on launching any Podcasts during this time, we recommend submitting your podcast for approval as early as possible.”

The second section of the e-mail that’s relevant to podcasters is the Holiday Support Schedules:

If you have questions or need support, you can always reach out to our Podcasts Support team. However, keep in mind that they won’t be available on the below dates, and Podcast approvals and response times on or around these dates may be delayed:

November 24 to November 25, 2016

December 24, 2016 to January 2, 2017

Make sure you keep these dates in mind if you’re planning on launching a new podcast before the end of the year or if you find you need help with an existing iTunes Store listing.

Upcoming Gimlet Media Podcast Sponsored by Apple

Gimlet LogoNo single company is still talked about more when it comes to podcasting than Apple. Since its addition of podcasting to the iTunes Store in 2005, most of the podcasting news made by Apple has revolved around podcasting apps and distribution. But that changes this month as Apple will actually be an active sponsor of an upcoming podcast produced by New York-based Gimlet Media.

Gimlet made a name for itself during the so-called “podcast renaissance” of 2014 with the launch of its critically acclaimed Startup podcast that documented the company’s founding. Gimlet followed up the success of Startup with other popular shows like Reply All and Undone. Gimlet Media is now set to debut its latest creation, a fully scripted serialized fiction series called Homecoming. This new show will be voiced by established Hollywood actors Catherine Keener (40 Year-Old Virgin, Into The Wild), Oscar Isaac (Ex Machina, Star Wars: The Force Awakens), and David Schwimmer (Friends, Orange Is The New Black).

Gimlet Media has a proven track record of attracting large audiences to its productions. That past performance may be what enticed Apple to step in as the sole sponsor for Homecoming. Specifically, Apple will be promoting its e-book and periodicals platform iBooks thru this new podcast. The move could be a sign of Apple’s confidence in Gimlet’s latest project, as the tech giant hasn’t sponsored many (if any) podcasts before.

Apple’s move from passive podcast distributor to active podcast sponsor seems like a logical one. While many podcast consumers are likely already using an Apple device, they may still be unaware of what iBooks has to offer. It’ll be easy enough for those listeners to tap over to the iBooks app after an episode of Homecoming and pick up a new book or magazine subscription. The potential popularity of a Gimlet-produced podcast will also get Apple’s sponsored message in front of plenty of non-Apple users as well, since podcasts are consumed across many different platforms.

CBC Claims Podcast Apps Violate Copyright

CBC LogoThe Canadian Broadcasting Company, better known as CBC, was one of the earliest public broadcasting organizations to adopt the medium of podcasting. Many CBC shows have been available as podcasts for years. And while those shows are still technically available as podcasts, the CBC is now trying to block some podcast-consumption apps that carry CBC podcast feeds.

This was first reported on Reddit, where user dredmobius discovered CBC shows were no longer accessible within his podcast app of choice. dredmobius contacted the app’s developer, who said that the CBC requested removal of its shows from the app due to violation of copyright. (The name of the app in this case has not been released.) In the same Reddit thread, dredmobius posted a copy of the notice that CBC allegedly sent to the app developer:

I am contacting you regarding the unauthorized use of CBC’s podcasts that are being used in your <app name> app.
By using CBC’s digital services you have agreed to our our Terms of Use located at cbc.ca/aboutcbc/discover/termsofuse.html.
Under section 2(b) of these Terms of Use, you are prohibited from using our podcasts for commercial purposes without a proper licence from CBC.
I would ask to cease immediately the use of our unlicensed podcasts.
If you interested in CBC content and podcast, we can discuss a license fee model.
I would be happy to have a call to discuss further our content and services.

Twitter user @AvenSarah asked the CBC what was going on in with this situation. An official CBC account replied:

In the same Twitter exchange, CBC also linked to a recently published document on its website titled “Why CBC/Radio-Canada has terms of use for its RSS feeds.” The article points to some legalese in CBC’s online terms of use for its podcast RSS feeds, along with this explanation:

So why do we want to work with third-party podcast apps or aggregators to agree on conditions for distribution of our podcasts?

CBC/Radio-Canada relies on advertising revenue; we try to monetize our podcasts. Apps that sell premium accounts, or use in-stream or banner advertising for example, are earning revenue through the content they offer. As a general principle, we think it’s fair for podcast creators to be compensated in some way for the content they create.

But, it’s not just about the money. When someone offers our content to their audience without any relationship to us, we have no idea what they’re doing with our content. Are they copying our content to their servers and serving cached versions? What’s their business model? Do our analytics capture their traffic? Is there a competitive conflict between our ads and the ads being displayed on their apps?

Not having the answers to these questions affects our own advertising model, and the analytics that help us understand who our audience is. Our brand can take a hit too if aggregators are associating our content with something that we’re not comfortable with, such as recently, when our content was placed next to ads for pornography. We also have agreements we need to uphold – commercial music for example, and so need to know that any third-party use of our content honours those agreements.

In some ways, the CBC’s perspective is understandable. The organization wants to protect its ability to monetize its content, and it doesn’t necessarily want third-party platforms to run their own ads against CBC shows. Still, podcast RSS feeds live on the open web. They should be accessible to any device or application that can properly read them. The CBC can try and stop podcasting apps from syndicating its shows. But it’s not gonna be easy getting this genie back into its bottle.

 

Fireside Podcast Hosting Service Removes Download Limits

Fireside Beta PlansFireside, the podcast hosting and distribution platform created by 5by5 founder Dan Benjamin, recently announced it would remove download limits from its podcast hosting plans. When Fireside beta invites were sent to early users, recipients were offered two podcast hosting plans. One plan was aimed at single-show podcast producers, while the other was geared for producers planning to do multiple shows. Both plans were priced according to their feature sets. And both came with monthly download limits. The single-show plan had a 5,000 downloads-per-month limit, while the multi-show plan had a 15,000 downloads-per-month limit.

It’s unclear as to why Fireside’s hosting plans came with built-in limits. Presumably, it was to keep shows with larger, established audiences from jumping into the platform before Fireside was ready to handle a large increase in traffic. Regardless, Fireside announced in a recent e-mail update that the service would be dropping download limits:

…if you took a look at Fireside and thought it might not be for you because we didn’t offer high enough downloads in your price range, I have some good news for you …

Fireside Has No Download Limits!!!

Perhaps the biggest improvement we’ve made relates to our distribution platform and the lifting of download limits.

You heard that right, Fireside has no download limits.This means you can upload as many episodes as you’d like, and they can be downloaded without any restriction.

Instead of two different plans, Fireside is now working off of a base plan that allows additional features to be added at additional cost. Optional add-on features include multiple podcasts, network support, membership integration, and more.

RememberMe App Lets You Highlight Podcast Audio Like a Book

RememberMe appWe’ve all been there. You’re listening to a podcast or audiobook while you’re out for a walk or driving a car. You hear some amazing piece of information you’d like to save for later. But you’re just not in a place where you can easily take down some notes. Maybe you take a screenshot of your device’s mobile player at the time where you heard the audio you’d like to save. Or you try and make a mental note of this important location within the audio. But most of the time, you simply forget about it altogether. A new app called RememberMe that’s currently in development is looking to change that by giving you the ability to “highlight audio” for note taking in the same way you’d highlight text in a printed document:

You don’t have to pause your podcast, rewind, go to another app or notebook. One tap will save the last 30 seconds in audio and text.

Saves audio in text so you can review your important information later with out having to re-listen to the podcast.

Syncs with Evernote or Dropbox for safe storage, automatic organization, and easy retrieval and review.

The RememberMe app could prove to be a very useful tool for saving specific information from spoken word audio. The app is not yet available to the public but RememberMe’s developers are offering an e-mail signup for anyone who’d like to know about future updates.

Adobe’s Project VoCo Could Revolutionize Spoken Word Audio Production

Adobe VoCoIt’s no secret that audio editing is a task many podcasters must begrudgingly embrace. While modern digital audio workstations have come a long way to make audio editing easier, these applications are still lacking in tools that truly speed up or automate the process. A skilled audio producer will be able to see some obvious correction points when looking at waveforms within an editing program. But for the most part, when it comes to editing spoken word tracks, it’s necessary to listen to all of the audio that’s been recorded.

Adobe could turn spoken word audio production on its side with a new prototype software called Project VoCo. Ars Technica has already dubbed VoCo the “photoshop for audio,” quoting developer Zenyu Jin, who debuted VoCo at a recent Adobe conference.

VoCo works like this: Give the software a sample of about 20 minutes of spoken audio from a single voice (the sample could be recorded specifically for VoCo, or taken from a podcast or audio book recording). VoCo then generates a transcript of the words that were spoken and displays the transcript as text. From there, an audio producer can simply rearrange the text into a new order, and VoCo will edit the audio to match the changes in text.

It doesn’t stop there. VoCo can also synthesize spoken words based on the sample audio it’s received, allowing the editor to literally put words into the editing subject’s mouth.

For those who are dreading that next audio editing job, VoCo could speed up the process dramatically. Of course, the software’s ability to convincingly produce spoken words from text will create endless potential for hilarity. But it could also be used for evil. With this in mind, Adobe has added a watermarking tool to VoCo to make it easier to identify authentic audio.

See VoCo in action in the video below.

Podcast Movement 2017 Registration Begins November 25

Podcast Movement logoIt seems like it’s been only a few months since the Podcast Movement 2016 conference wrapped up in Chicago. The next iteration of the event will occur August 22 – 25 in Anaheim, CA. According to an e-mail recently released by Podcast Movement, registration will open for PM 2017 in just a few weeks:

In what has become a tradition for Podcast Movement, registration for next year’s event will open on “Black Friday”, Friday, November 25 at midnight!

Podcast Movement continues to evolve in our fourth year, and we’re excited to be putting emphasis on some key aspects of the event, including:

  • Better defined tracks to maximize the learning experience and session choices for all attendees, whether you’re a hobbyist just getting started or an industry veteran!

  • New networking opportunities and events. A chance to build new and stronger relationships with podcasters, advertisers, service providers and industry professionals.

  • New scheduling format to make sure you don’t miss anything, from the opening sessions to the closing keynotes! PLUS more time to visit Disneyland with the family!

  • Lower starting registration prices! Some past attendees asked for lower prices, while others said they’d rather pay more and have us provide food and drinks, so we’re giving attendees more options!

The current registration page on the Podcast Movement website refers to the 2016 event. This will likely be updated on or just before November 25th to reflect 2017 pricing.

WordPress Founder Calls Out Wix Over Software Theft

WordPress logoThe WordPress web publishing platform has been used by podcasters since it began to receive widespread adoption about a decade ago. WordPress began as an open source project and it has remained that way. This has allowed the platform to cater to a variety of plugins and extensions that have made WordPress one of the most powerful and popular content management systems in the world.

Most open source software is released under licenses that encourage developers who use it in their own projects to, at the very least, credit the original developers who created the software. It’s a tradition that’s at the heart of the open source movement. And while theres no legal body that governs the use of open source code, the communities that thrive on it have done a good job of respecting this tradition. That’s why it can be problematic when a developer decides to crib a bunch of open source code and treat it as their own.

In an open letter recently published to his blog, WordPress founder Matt Mullenweg called out web design service Wix for “borrowing” some open source WordPress code for the latest Wix mobile web-editor app:

If I were being charitable, I’d say, ‘The app’s editor is based on the WordPress mobile app’s editor.’ If I were being honest, I’d say that Wix copied WordPress without attribution, credit, or following the license. The custom icons, the class names, even the bugs. You can see the forked repositories on GitHub complete with original commits from Alex and Maxime, two developers on Automattic’s mobile team. Wix has always borrowed liberally from WordPress — including their company name, which used to be Wixpress Ltd. — but this blatant rip-off and code theft is beyond anything I’ve seen before from a competitor.

Mullenweg goes on to explain that Wix released its editor without any attribution to  WordPress developers. He implores Wix to fall in line with the terms and spirit of the open source license. He’d like Wix to give the proper attribution to the WordPress dev team and also for Wix to make its own code open source and release it to the community.

It’s obvious that Wix is a competitor to Automattic, the company headed by Mullenweg that runs the fully managed WordPress services at www.wordpress.com. Business aside, Mullenweg’s assertion that Wix is into some shady business here seems reasonable. Hopefully, Wix will make things right and follow the rules set forth in the open source license.

iOS 10 Allows Users to Delete Podcasts App

Podcasts DeleteApple has probably empowered the medium of podcasting more than any other company. The Cupertino-based technology giant gave podcasting its first big boost when it added podcasts to the iTunes desktop application in 2005. Thanks to the popularity of Apple’s breakthrough portable media player, the iPod, iTunes had become a ubiquitous destination for consumers looking to easily acquire new audio. And when those users suddenly found a podcasting directory chock full of free content next to their favorite music store, they began consuming podcasts in droves.

Apple gave another healthy push to podcasting when it released the first iteration of its standalone Podcasts app in 2012. The app was ultimately developed to work alongside what would become Apple’s streaming music service (Apple Music). But there was some definite confusion when the app first showed up. Previously, users had been able to access podcasts thru their iOS devices’ iPod and Music apps. Apple would go on to include the new Podcasts app in its “core” collection of apps that couldn’t be deleted by users. This meant that iOS users had to deal with the app, if for no other reason than to stick it into an “unused apps” folder. And while it’s certain that many users did just that, many others opened the app and began listening to podcasts for the first time.

Apple’s Podcasts app is still a standard part of iOS. It shows up any time the operating system is freshly installed. But a big change came to the app with last month’s release of iOS 10. The app is no longer indestructible, and can now be removed by simply pressing and holding the app icon, and then tapping the X that pops up in the top left portion of the icon.

The change was likely made due to consumer demand, as many iOS users have wanted to be able to remove Apple’s core apps for years. It’s doubtful the app’s removable status will have any impact on podcast consumption overall. But it is kinda sad in a way that the app can be deleted now.