Tascam’s MiNiSTUDIO Interfaces Are Designed for Podcasters

Tascam MINISTUDIOPodcasting has been around for over a decade. During that time, podcasters have had to rely on a plethora of tools that were really designed for other uses. Sure, you can create a podcast with gear that was created for music or live sound production. But it can lead to complex workarounds or other hassles that keep you from the important thing: Creating your podcast. With that in mind, Tascam recently released two new MiNiSTUDIO interfaces made with podcasters in mind.

First up is the Tascam US-32:

Central to the MiNiSTUDIO Personal is an XLR/combo mic/line connector and a professional quality micropone preamp. Built-in phantom power allows you to quickly and easily connect your favorite dynamic or conderser microphone…or not… For the ultimate in plug and play convenience, the MiNiSTUDIO Personal features a built-in microphone, so you’re ready to talk the talk right out of the box. Simply press the ON AIR button and go to town. And to top it all off, the MiNiSTUDIO Personal features a 4-band parametric EQ, adjustable on-board compression and a digital reverb effect with a convenient front panel depth control.

The US-32 also comes with built-in clip playback and sound effects. You can use the stock clips that come with the US-32 or you can customize them with your own sounds. Then there’s the built-in vocal effects:

Di(s)guise your voice, fool your fans! Perhaps the most extreme feature of the MiNiSTUDIO Personal is the Voice Effects option. Simply pressing this innocent little button will instantly transform your voice in any one of a number of amazing and amusing ways. Pitch your voice up into cartoon mouse territory or pitch it down like you’ve joined the Dark Side. Add a spacey Echo, wobbly Chopper or go old school with the Walki-talkie-approved Radio effect. Voice Effects: crazy, wacky and a whole lot of fun.

Next up is the US-42. This model has all of the features of the US-32 as well as an additional microphone input. It also comes with a Creator/Broadcast switch:

Unique to the MiNiSTUDIO Creator is a powerful Creator / Broadcast selector switch on the front panel of the device. When set to Broadcast mode, the audience will hear exactly what you hear as all audio generated my the MiNiSTUDIO and/or your computer will be mixed together in a single stereo stream. Talk, play guitar, play games or play MP3 files. If you hear it, they hear it. But flick the switch to Creator and you’re in full production mode. When set to Creator, the MiNiSTUDIO transforms into a professionally specced two-channel USB Audio Interface. Perfectly suited for any DAW or video editing software, the combination of dual HDDA mic preamps, Hi-z inputs, EQ, compression and reverb deliver a powerful and flexible front end for any media production task.

Both versions of the Tascam MiNiSTUDIO are available for purchase now. The US-32 is expected to retail for $129.00 and the US-32 should sell for $179.00.

Democracy Now!’s Amy Goodman Charged with Crime After Reporting on Controversial Topic

Democracy Now logoNews show Democracy Now! has been around for a couple decades now. The program is most often heard/seen on public media outlets. But it was also quick to adopt podcasting as a new distribution method not long after the medium began.  Democracy Now! host and reporter Amy Goodman was recently charged with a crime after reporting on a controversial situation in North Dakota:

…on September 3, when she was in North Dakota covering what she calls ‘the standoff at Standing Rock’: the months-long protests by thousands of Native Americans against the Dakota Access Pipeline. The $3.8 billion oil pipeline is slated to carry barrel after barrel of Bakken crude through sacred sites and burial grounds of the Standing Rock Sioux tribe, and tribe members fear it could pollute the Missouri River, the source not only of their water but of millions of others’, should the pipe ever rupture.

Goodman was covering a protest of the pipeline construction when protestors clashed with contract security personnel on site. Goodman’s report included graphic descriptions of protestors being thrown to the ground and attacked by trained security dogs. Democracy Now!’s footage of the incident went viral online, racking up millions of views.

In the days that followed, Amy Goodman was charged with a crime in connection with her coverage of the protest:

…on September 8, Goodman received the news that Morton County, North Dakota, had issued a warrant for her arrest. The charge: riot, a misdemeanor punishable by jail time and a fine. (It should be noted that the original charge leveled against Goodman was not riot but criminal trespass, also a misdemeanor. However, just days days before Goodman was set to appear in court, the prosecutor, Ladd Erickson, switched up the charges because, he admitted in an email to Goodman’s lawyer, Tom Dickson, there were ‘legal issues with proving the notice of trespassing requirements in the statute.’)

Lead prosecutor Erickson has said he’s treating Goodman as a protestor, instead of a journalist, and that’s why he’s charging her with a crime. Goodman has agreed to turn herself in to North Dakota authorities to face the charges in court. A case like this could set a new precedent in terms of First Amendment rights in the United States.  This case should be watched by everyone in the media, including podcasters.

Web Design Platform Wix Launches Podcast

wixpodartUsing a podcast as a content-marketing tool is nothing new. While this technique has been used by small companies and solo entrepreneurs for years, it’s being employed more frequently these days by large corporations looking to capture some of the organic marketing energy that the medium of podcasting has to offer. The latest entrant to the corporate content-marketing club is website-design service Wix, who recently launched the Who What Wix podcast:

Our brand new podcast is focused on the wildly inspirational and super helpful stories of small business owners. Listen to these influencers dish about their big wins and epic failures. We also grill marketing experts for creative advice you need to hear and go behind the scenes at Wix headquarters.

It’s clear Wix sees its audience as entrepreneurs and business owners, which makes sense for a company that provides template-based web-design tools made for people who need a website but don’t necessarily want to hire a designer. On why Wix started a podcast:

…sometimes you just don’t have time to read – you’re managing your business after all. If you’re a mega multi-tasker always on the go, an interesting audio file may be the perfect way to learn something new and enjoy the time spent. Podcasts are the newest and most delightful way to get an even closer look at who we are at Wix and get access to the gurus in the industry like never before.

Several episodes of Who What Wix are available to stream at the link above. The show is also listed on the iTunes Store.

Spotify Might Buy SoundCloud

SoundCloud LogoI’m not sure what happens when two high-profile companies with seemingly obtuse profiles in the same industry collide in one headline. But that’s exactly what’s going on, as news began to leak earlier this week that music/podcast streaming service Spotify is in “advanced talks” to buy music/podcast distribution service SoundCloud.

Of course, this blog is focused on news about podcasting. And while both SoundCloud and Spotify have their own places in the current podcast market, it’s been a bit off an odd trip for both companies:

  • SoundCloud began as a collaboration tool for musicians but later morphed into a music sharing and distribution hub, eventually adding support for podcasts. SoundCloud’s podcasting program was in beta for years before it officially launched. The company has been hemorrhaging money, burning thru multiple rounds of venture capital in an attempt to stay ahead of mounting financial pressure from the major record labels. SoundCloud launched its own premium music-streaming service and began running ads against content for non-paying account holders. Curiously, the company has mostly kept the music and podcasting sides separate. But apparently, embedded SoundCloud players featuring podcast episodes will automatically begin to play SoundCloud-hosted music files if the player isn’t paused after the podcast is finished. This can happen without warning, much to the chagrin of podcasters who thought they were embedding single-episode players onto their websites.
  • spotify logoSpotify is the Swedish-born music-streaming platform that perfected the idea of the Celestial Jukebox; Any song from any artist whenever you want it at the touch of a button. The company grew slowly as it moved into more markets around the world, finally pushing into North America five years ago. When Spotify announced in 2015 that it would be adding support for podcasts, it felt like this could be some seriously new ground for podcasting to break. But Spotify has chosen to work with a small group of content partners and the company has been very slow to add new shows to its podcast directory. And while Spotify has done better in the revenue department than SoundCloud, Spotify was still taking on new debt from investors earlier this year.

Just what any of this means for podcasting is anyones guess. Spotify could try to absorb SoundCloud into its existing platform, or it could let SoundCloud continue to operate independently. Tho, I’m not sure I like the name SpotiCloud. However, Soundify does have a nice ring to it.

International Podcast Day 2016 is Here!

International Podcast DayNational Podcast Day badge is back for its third year. The online event started in 2014 and is officially celebrated on September 30th. And while it’s still technically September 29th in many part of the world, it is in fact September 30th in the far Eastern Hemisphere, and that’s why Podcast Day 2016 is kicking things off by featuring podcasters from Australia and New Zealand.

The Podcast Day event is jam-packed with podcasting-related discussions from producers located all over the world. Here’s just a few of the presentations planned during the event:

  • Film & Television Podcasting
  • Growing a Podcast Network in India
  • How To Craft the Perfect Story
  • Storytelling From an Old-Fashioned Industry
  • Podcasts As a Business Asset
  • Podcasting and Entrepreneurship
  • From Branding to Promotion
  • Past, Present and Future of Podcasting
  • Highlighting the LGBT Community
  • Anxiety Relief… One Podcast At a Time

International Podcast Day’s live streaming partner is Firetalk. A live broadcast of the event will be ongoing until the end of September 30th on the Podcast Day Firetalk page.

The International Podcast Day Twitter account is also actively covering all Podcast Day-related news. If you’d like to help promote Podcast Day, there are a full set of promotional materials available on the event’s website.

Ads Come to Overcast With Latest Update

Overcast logoMonetizing podcasts isn’t always easy. And apparently, the same rule applies to podcast-consumption apps. That’s the ultimate truth Marco Arment, the developer of iOS podcasting app Overcast, has determined. In a lengthy blog post, Arment breaks down the monetization tactics he’s tried during Overcast’s first two years. And while those tactics did show momentary glimpses of hope, none of them seemed likely to work long term. That got Arment to consider some new monetization options:

Ads are the great compromise: money needs to come from somewhere, and the vast majority of people choose free-with-ads over direct payment. Ads need not be a bad thing: when implemented respectfully, all parties can get what they want.

Most podcasts played in Overcast are funded by ads for this reason, and as a podcaster and (occasional) blogger myself, I already make most of my income from ads.

Prior to this move, Arment had tried in-app subscriptions and a Patreon campaign to try and make Overcast a profitable endeavor. But those systems fell short of the mark. Arment is hopeful that running display ads inside of his app will prove to be more profitable in the long run. Overcast users who want to banish display ads and unlock all of Overcast’s features can also now buy a $9.99 subscription for one year.

Patreon Lauches Private RSS Feeds

PatreonRSSPatreon has become a popular crowdfunding platform for podcasters. And the people behind the service have taken notice. Patreon launched a new feature this week that could’ve only been inspired by the needs of podcasters; Private RSS feeds.

Offering premium content behind a paywall is a monetization strategy used by many podcasters. But the solutions for doing that can be complex and unreliable. Usually, podcasters just upload a cache of files to a server behind a password-protected paywall. Or they’d try and create their own premium content system using various combinations of WordPress plugins and third-party providers.

Patreon’s new offering should make the process of providing premium podcast content much easier. When Patreon creators upload media files to their account, those files will automatically go into a generator on Patreon’s backend that creates unique, private RSS feed URLs for Patreon backers. Those URLs can then be added to most popular podcast-consumption apps, like iOS Podcasts, Downcast, Overcast, Podcast Addict, and more. When creators add new media file to their Patreon accounts, backers will receive them via their private RSS feeds.

The Patreon website discourages users from sharing their private RSS feed links. But it’s unclear if Patreon will be actively monitoring the usage of these feeds for potential infringement. And while it seems logical that these feeds would stop working for backers who’ve stopped donating, the website doesn’t say anything about this.

IAB Releases Podcast Ad Metrics Guidelines

IAB logoThere’s been a lot of talk surrounding podcasting metrics lately. Some would say the state of measuring podcasts is a “Wild West” of varying methods with no centralized protocols. Others would say that they’ve had proven processes in place for years to accurately measure the audience of their podcasts. The Interactive Advertising Bureau (IAB) has been working diligently to bridge the gap between these two mindsets. The organization made a big step forward earlier this week when it released its Podcast Ad Metrics Guidelines:

This document provides an introduction to tracking ad delivery in a podcast and attempts to provide clarity in the marketplace by describing common and existing practices. It breaks down some of the technical details of content and ad delivery and then defines the commonly used metrics, with some examples on how to measure those metrics. While we expect this document to be updated further as the market develops, we believe that this will help buyers, publishers, and the developers of technology by guiding them toward a common language.

The guidelines were released in the form of a downloadable 14-page PDF. A long list of contributing organizations, including ESPN, Midroll, LibSyn, Rawvoice, PodcastOne, NPR, and more, helped to finalize the rules set forth in the document. The guidelines contain much more information than we can cover in one blog post. But it’s definitely worth a read (especially the appendix section in the last few pages) if you’d like to know more about the technical aspects of podcast download measurement.

To see how some noteworthy representatives in the podcasting space reacted to the IAB document, check out this article from Radio Ink.

It’s Official: iPhone 7 to Have No Headphone Jack

Schiller QuaintEver since it rolled out the first Macintosh computer over 30 years ago, Apple has been on a mission to make products that are smaller, sleeker, and minimized. That ethos has played out over and over again thru the years. The first iMacs had no floppy disk drives. Then, Apple stopped installing optical drives into its desktop and laptop machines. Now, in the modern age of the iDevice, this practice is repeated with Apple designing phones and tablets that are increasingly thinner and lighter. It was pretty obvious this trend wasn’t going to stop anytime soon. And while it seemed Apple couldn’t possibly make these devices any smaller, they still found a way.

Rumors began circulating earlier this year that the iPhone 7, the latest edition of Apple’s wildly popular smartphone, would ship without an analog headphone jack. And those rumors were confirmed today during an Apple event that announced the iPhone 7. Apple’s Phil Schiller made his case for a bold, wireless future by rolling out a quaint image of an old-timey switchboard operator that was meant to enforce the analog headphone port’s origins in old technology. Indeed,  Apple is all about the future. The bright, shiny (and most importantly), wireless future.

Thanks to a proliferation of audio/video apps and accessories for iOS, these devices have become invaluable tools for many podcast producers. And while the death of the headphone port may be discouraging, it’s not the absolute end of the world. Apple will provide an analog adapter that’ll plug into the Lightning connector, allowing users to connect headphones and other analog-driven devices. It’s also a good bet that a whole new line of third-party products will hit the market to service those who’ve been abandoned by the headphone port’s disappearance.

Of course, another alternative would be to just hang onto older devices instead of trading them in right away for the iPhone 7. But just like that telephone operator, I know this is also a quaint notion for most modern technology users.

Podcrawl 2016 Is Happening August 20th in London

Podcrawl bannerTake one part good old fashioned pub crawl and add another part podcasting and you’ve got yourself a Podcrawl. Podcrawls have been taking place in the UK for years and Podcrawl 2016 is happening later this month in London. The event is being organized in part by veteran podcaster Rowley Cutler of the DarkCompass show. Cutler reached out to me about covering the event here on Podcaster News. I asked for some background on the event and here’s a transcription of our exchange with some minor corrections for syntax, etc.:

PCN: When was the first Podcrawl, how did it come about?

Rowley Cutler: Before I started Podcrawl in its current form, Adam Curry (of The Daily Source Code) started an office for Podshow in London and got together a group of  podcasters in the UK. He called it a Podcrawl (although the group did not move from pub to pub).
In 2008, The first Podcrawl came about by chance, actually. I was listening to two music podcasts, Pete Cogle’s PCP Podcast, and Peter Clitheroe’s Suffolk ’n’ Cool.  These two guys had known each other for a while and (had been) podcasting for a few years.
I overheard a conversation relayed between them that they would both be in London at the same time and (that) they should meet up.  I then contacted them and said could I come along.  Once I announced that the three of us were meeting up, then it snowballed and quite a few (people) came, around 15 at one point. It was just a few beers in some pubs in Soho in the centre of London, having an interest (in podcasting)  together makes it all the more fun. Over the years we’ve had impromptu acoustic sessions, artist itnterviews, and (podsafe) music swapping. We’ve been mistaken for rugby supporters at one point when we were all wearing the same polo shirts, kindly donated by a brewery we were plugging (because we liked the ale so much).

PCN: How many participants usually take part in Podcrawl?

RC: It’s usually just a small crowd, between 6 and 20, with people coming and going throughout the day. Its all very informal. We only ask to share their photos, recordings, and experiences. I don’t think we’ve ever wanted to do a convention or festival, as our shows are different (in style). It’s the common ground that we have all walked on; Building a fanbase, knowing what you’re talking about, and how your podcast is put together.

PCN: Is everyone invited to attend, or only podcasters? Only UK podcasters?

RC: Anyone and everyone who has an interest in podcasting (can attend Podcrawl) and not only UK people either – we’ve had podcasters from Portugal and Australia appear at Podcrawl – it’s always great to see new faces. It’s sometimes a bit bizarre when a listener or someone new joins in on a Podcrawl, how quickly they start up their own (conversations), or ideas bounce of people to make their shows more social and easier to manage. We all try to keep the technical side of podcasting low at these occasions, but it sometimes does get a bit geeky.

Podcrawl 2016 will take place on Saturday, August 20th. The crawl begins at the The Argyll Arms in London. Throughout the day, Podcrawl participants will be posting about the event on social media with the hashtag #podcrawl. If you’d like to join in the fun, check out this event page on Facebook for more information.