Platform Media, the next-generation media company, has announced its majority acquisition of The Good, The Bad & The Rugby, the world’s biggest rugby show.
It follows the company successfully launching the YouTube channels for two of its most popular sports podcast this year, FC Bullard and For The Love of Rugby. YouTube channels are one key strand of Crowd’s wider content marketing offer, as it goes beyond podcast production into video social media strategy, merchandise support, and live show launches.
Crowd’s expanded offer to brands comes as demand for video and social media content grows amongst both podcast followers and brands alike. Video content has already been proven successful for Crowd, generating hundreds of thousands of longform YouTube episodes and tens of millions of views across social media.
As well as launching YouTube Channels for For The Love Of Rugby and FC Bullard, Crowd has also made strides in bringing in multichannel women’s sports content to audiences. Crowd launched the Chelsea women’s team’s We Are Chelsea podcast in March this year, leading the way for women’s sports brands. We Are Chelsea received over a million views across Chelsea’s digital channels just two weeks after launch, with TikTok videos hitting 50 million views over summer.
Crowd now works alongside multiple household names to amplify their exposure across channels such as podcasting, social media and more. This includes Greenpeace’s Oceans: Life Under Water which won the bronze award in the Climate category at the British Podcast Awards in 2024. It’s partnership with big brands are set to grow in 2025 as it eyes new collaborations.
Mike Carr, CEO at Crowd Networks commented: “We’ve seen the market undergo massive change in the last year alone. Audio and even video is no longer the only avenue in podcasting but we’re now seeing a need to provide a 360 approach to working with brands to achieve successful multichannel engagement with audiences.
“This year has been a pivotal one for us. Welcoming big names such as Greenpeace and Chelsea to Crowd Branded, has enabled us to work with some incredible teams, who are keen to tell stories and reach new audiences in a fresh, dynamic way. I’m excited to see how our team continues to expand our branded offering to achieve impactful engagement with fans and audiences.”
Crowd Network (Crowd), one of Europe’s fastest growing independent podcast networks, has expanded its capabilities and welcomed two new video producers to its team following the increased demand for video and social content from its audiences and brand partners.
As brands continue to find ways to compete for share of voice, podcasts have become an increasingly valuable medium for capturing the attention of target audiences, gaining trust, and even changing perceptions of brands or topics.
As Spotify further embraces video advertising with its new ad exchange (SAX), the platform has seen an 11% year-over-year growth across all formats, and +12 on video ads in 2024 YTD (January to September). Now, video ads account for 20% of all digital ads for Spotify, according to Guideline, the single source of truth for advertising spend and pricing data, which captures actual agency investment from all agency holding companies and most large independents.
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