A Wake-Up Call from The Podcast Show 2025

Don’t Let the “Video-or-Bust” Narrative Freeze Out New Voices!

  1. The Show in a Snapshot

London’s Business Design Centre was packed: more than 6,000 delegates milled through two buzzing days of panels and product demos, confirming that podcasting is anything but niche.

At the Blubrry booth, we spoke with everyone from major networks run by startups to small networks and first-time podcasters. One topic bulldozed every other: “Do I really have to launch on video?” and the reluctance to start a new show surrounding that conversation.

  1. Why the “Must-Do Video” Chorus Is Getting So Loud

Existing big audio shows are publishing with YouTube, Shorts, and TikTok clips to widen funnels.

Platforms amplify the hype: YouTube trumpets podcasts, Facebook pushes Reels, and prominent creators flaunt multicam studios on social, and with Spotify killing Audio with its Video implementation, the narrative of audio is being drowned out.

Peer pressure: Newcomers see polished sets costing 10’s or even 100’s of thousands of dollars and assume video investment is the admission price.

  1. The Audio Data Everyone Forgot to Quote

Audio listening is at an all-time high. Edison’s Infinite Dial 2025 shows that 70% of Americans 12+ have listened to a podcast, and the monthly reach has just hit 55%.

Apple Podcasts just logged its best year ever for listeners, hours streamed, and paid subscribers, Apple execs revealed in London.

Women are driving much of that growth: monthly female listenership has tripled in the past decade.

In plain English: audio-only shows are still gaining audience, even as video grows alongside them.

Yet behind the glossy sizzle reels, I heard real anxiety, especially from women worried about on-camera harassment and from creators on tight budgets who simply can’t justify the extra kit, lighting, editing hours, and bandwidth of time to do it.

  1. The Real-World Audio/Video Cost Gap

A good-enough audio starter kit (USB mic + headphones) can run $45 – $100.

A competent video setup instantly adds cameras, lights, tripods, and often a switcher, adding thousands of dollars to the cost.  Editing time and storage requirements roughly increase tenfold when you add 1080p or 4K files.

For hobbyists and small teams, that delta isn’t trivial — it’s the difference between shipping Episode 1 next week or never starting, and that is where the real danger lies.

  1. The Risk: Shrinking the Funnel of New Creators

When newcomers believe video is mandatory, many never hit the record button. That’s bad for: Diversity: Under-represented voices (women, marginalized communities, privacy-sensitive experts) are more likely to opt out if forced on-camera.

Innovation: Fewer fresh shows mean fewer fresh ideas and formats.

Industry survival: Listener demand outpaces creator supply; we can’t afford to scare talent away as we are today.

  1. A More Sustainable Narrative

For an established show: Treat video as an extension, not a replacement. Publish on YouTube fir discovery etc.

Additionally, publish a separate Video Podcast via RSS if you add full-length video; don’t bloat audio listeners’ data bills. Host that video with podcast hosts that support video, like Blubrry.

For first-time creators: Start audio-first. Nail format, cadence, and audience, then layer in video when budget, skills, and comfort allow

A $100 mic and quiet room beat a $1,000 camera, switcher, studio design, etc.

Focus on content quality and consistency; discoverability comes from storytelling.

  1. What the Industry Can Do Right Now

Conference programming: Balance video panels with sessions on lean audio workflows.

Platform messaging: Celebrate audio milestones as loudly as video innovations.

Mentorship: Veteran video podcasters should share honest behind-the-scenes costs, not just final cuts.

  1. Final Word

Podcasting’s superpower has always been accessibility: any voice, any niche, any budget. If the community keeps shouting “video or bust,” we trade that super-power for a higher barrier to entry — and lose the next generation of storytellers in the process.

So let’s keep perspective: video is a fantastic option. Audio remains a proven, growing, and flexible foundation. New creators deserve to know the difference. Let’s make sure they hear it — loudly.

Todd Cochrane – Blubrry Podcasting

 

PodX Group To Release Co-Production And Format Adaptation, Showcasing Group-Synergies

PodX Group, the leading international podcast group, proudly announces its plans of releasing two groundbreaking podcasts, a co-production and an adaptation, marking a milestone in the company’s push for group collaboration.

This marks a major step in PodX’s mission to unite talent and IP across borders – and to bring the world-class stores to audiences everywhere.

Two standout podcast projects underscore the creative synergies emerging across PodX’s global group: Murder in Åland, a drama thriller co-produced by Goldhawk Productions (UK) and Suomen Podcasmeida (FI), bringing together top-tier storytellers from two podcasts powerhouses for release in both UK (BBC) and Finland (YLE). Meanwhile, 28ish Days Later, a critical success in the UK, originally created by Listen (UK), is being adapted by Suomen Podcastmedia for Finnish audiences.

Both series are slated for release later this year, offering audiences compelling content born from an international partnership.

Patrick Svensk, CEO PodX Group: “This is what our game is all about. We’re not just investing in podcast studios – we’re building a creative ecosystem with stories, formats, and talents by connecting brilliant, creative minds across markets, developing stories that can travel, while also unlocking new ways to monetize them across our portfolio.”

These two releases exemplify PodX’s mission: to build a connected global podcasting group that can co-create and amplify content across territories. By uniting creative teams from different countries on joint productions and by adapting proven formats for new markets, PodXis showing the strength of its portfolio. The company’s model is built on the idea that sharing talent and intellectual property across its studios can spark innovation and significantly expand the reach of great stories.

Murder in Åland is a high-stakes cross-border thriller that these the story of a mysterious murder that threatens to unravel geopolitical stability in the West. The show is co-produced by Goldhawk Productions (UK) and Soumen Podcasmedia (Finland) – both part of PodX Group’s global group. The series represents a first-ever collaboration between these studios, and it will be published in both English and Finnish, making Murder in Åland a bilingual podcast destined for dual release.

Written by Satu Raslla, Mikko Kouki and Akseli Kouki, the series will be directed in both Finnish and English by Mikko Kouki, and recorded on location in Finland.

28ish Days Later is an award-winning podcast series about the menstruation cycle, originally created by UK-based studio, Listen. Based on the original BBC Radio 4 podcast, the format now enters a new chapter as Soumen Podcasmedia adapts it for Finland – a transformation that marked the first format adaptation within the PodX ecosystem – a clear signal of the company’s ambition to unlock new value from existing IP, while amplifying local creative voices.

The Podcast Academy Celebrates Two New International Awards At The Podcast Show London

The Podcast Academy, the leading professional organization dedicated to the podcasting community, announced the introduction of two new international honors: the International Impact Award – which recognizes a podcast or individual based outside the United States who’s work has had a significant, positive effect on its listeners and the global podcasting; and the International Governor’s Award — which recognizes a podcast or individual based outside of the United States for their compelling and influential impact on the industry.

The International awards will be handed out on May 21st at The Podcast Show London as part of TPA’s Awards for Excellence in Audio. Popularly known as The Ambies, they celebrate excellence in podcasting and elevate awareness and status of podcasts as a unique and personal medium for entertainment, information, storytelling and expression.

James Cridland, international radio and podcasting expert, editor of PodNews, and champion of audio innovation, will be the first recipient of the International Impact Award. In addition, Steven Bartlett, entrepreneur, author, and host of The Diary of a CEO, will receive the first-ever International Governor’s Award, also introduced this year.

 “James Cridland has been a global voice for the podcast industry, tirelessly advocating for its growth, innovation, and sustainability,” said Christy Mirabal, chairperson of TPA. “As the first recipient of the International Impact Award, James exemplifies the global reach and influence of podcasting today. We are equally honored to celebrate Stephen Bartlett, who’s powerful storytelling and entrepreneurial spirit have redefined what a podcast can be. His work on The Diary of a CEO has resonated with a billion across the globe and elevated podcasting as a medium for insight, vulnerability, and meaningful dialogue.

James Cridland is a radio futurologist, consultant and the editor of Podnews, a daily podcast industry newsletter with a worldwide following. With a career spanning over 35 years, he has worked across radio and online media, including launching the world’s first streaming radio app at the UK’s Virgin Radio, and improving online sound quality at the BBC. 

Now living in Australia, his consultancy work has supported broadcasters and platforms globally, and he is a sought-after speaker at audio conferences around the world. A passionate advocate for open podcasting and technical innovation, Cridland has helped shape industry standards and foster best practices across the field. 

Steven Bartlett is a globally recognized entrepreneur, investor, author, and media innovator. He is the creator and host of The Diary of a CEO, the second-biggest interview podcast in the world and the fastest-growing podcast globally. As the youngest-ever Dragon on BBC’s Dragon’s Den, he has redefined modern leadership and storytelling. 

Steven is the founder of FlightStory, a media and investment company with a portfolio that includes SpaceX, Huel, and Whoop, and the co-founder of Thirdweb, a software platform backed by Shopify and Mark Cuban.

His best selling book 33 Laws for Business and Life has broken UK records and has sold more than 1 million worldwide. With over 25 million followers across social media, Steven continues to shape the future of business and audio.

Disctopia Acquires Wavve To Boost Podcasting & Digital Marketing

Disctopia, a leading podcast hosting and streaming platform, has acquired Wavve, the widely recognize tool that transforms audio into media-ready videos. This strategic acquisition strengthens Discotpia’s commitment to empowering podcasters and content creators with innovative marketing tools to grow their audiences and maximize revenue.

With Wavve’s advanced audiogram and video features, Disctopia users will now have even more ways to amplify their content, engage listeners, and drive monetization. By integrating Wavve’s technology, Disctopia is evolving into a comprehensive platform where creators can seamlessly host, market, and distribute their content – all in one place.

“At Disctopia, we are dedicated to providing creators with the best tools for success,” said Patrick Hill, CEO of Disctopia. “By bringing Wavve into our ecosystem, we’re making it easier than ever for podcasters to market their shows and captivate audiences through engaging video content. This acquistiton makes a significant step forward in making podcasting accessible for everyone.”

For years, Wavve has enabled podcasters, musicians, and brands to convert their audio into visually compelling social media content. Now, by joining forces with Disctopia, Wavve’s features will be directly integrated into the platform, allowing creators to effortlessly share content across Instagram, TikTok, YouTube, LinkedIn, and more.

Key Benefits For Podcasters & Creators

Enhanced Marketing Tools – Wavve’s audiogram and video features will be available directly within Disctopia.

Greater Monetization Opportunities – Podcasters can expand their reach, grow their audience, and boost revenue.

Disctopia will now serve was a fully integrated platform for hosting, marketing, and distribution.

The integration of Wavve’s technology into Disctopia is set to be completed in the next few weeks, with both teams working closely to ensure a smooth transition. Wavve’s leadership will continue to play an active role in supporting users and introducing new features.

Adelicious Grows Sales Team Following Strong Start To 2025

Adelicious has strengthened its commercial team to new senior hires, appointing Liam Robinson and Antonia Digby as Agency Sales Directors to help lead the growing sales division of UK’s leading independent podcast hosting platform. 

Liam Robinson joins Adelicious with over a decade of experience in advertising sales, including nearly five years specializing in podcasts. He has held roles at The Athletic, Acast and Octave, taking to market a wide range of shows across multiple genres. 

In his new role, Liam will be responsible for leading relationships with both group and independent media agencies with a focus on strengthening brand visibility of Adelicous’s portfolio in market.

“Having worked with Adelicious over the years, it’s no surprise to see the growth they’ve had in such a competitive space,” said Liam Robinson, Agency Sales Director at Adelicious. “I’m really excited to get stuck in and make an impact.”

Antonia Digby brings deep experience across both audio and agency-side partnerships. Most recently, Content Director at Wavemaker, Antonia has previously held roles at Absolute Radio an Global Audio. At Adelicious, she will focus on helping brands maximize the creative and commercial opportunities within the podcasting space.

“I’ve spent years working in partnerships across both radio and the agency world, so I’ve seen just how powerful audio can be when it comes to connecting audiences,” said Antonia Digby, Agency Sales Director at Adelicious. 

“Lately, there has been a huge shift in how brands approach podcast advertising and it’s been exciting to help guild that journey. I am happy to now be joining the team at Adelicious. It’s a great time to be in the podcasting space and I’m looking forward to helping more brands tap into its potential.”

The appointments come off the back of a strong start to 2025 for Adelicious. This has included several major new client wins, including Avalon’s shows Frank Off The Radio, chart-topping podcast Sh**ged.Married.Annoyed. And Russell Howard’s Five Brilliant Things, new partnerships with leading publishers Hearst and Immediate Media as well as production house Lock It In Studio. 

The growth reflects Ademicious’ expanding presence both in the UK and internationally, particularly across the US market where a significant share of its audience now resides.

Gemma O’Brien, Head of Sales at Adelicious, added: “Antonia and Liam are fantastic additions to the team. Not only do that both have extensive experience, they also have a clear passion for audio and a deep understanding of how to connect brands with audiences. Their expertise will help Adelicious continue to grow and build on a strong few years, whilst delivering real value to advertisers and creators alike.”

The two new hires form part of a wider period of expansion at Adelicious. Other recent additions also include Katie Wilson, who joined as Project Manager, and Harriet Skillington as Planner, reflecting the company’s continued investment across the business as it scales. 

Audion Launches Pathway – A Route To Programmatic Podcast Monetization

Digital audio advertising specialist Audion has launched Pathway, to support and accelerate the growth of programmatic media trading in podcast advertising; the new initiative is embedded into its Audion360 technology suite developed for podcasters, publishers, and professional content creators.

The first tangible development of this capability is a next-generation connector; integrated into the podcasters’ Content Management Systems (CMS), this enables their available audio inventory to be automatically monetized through Audion’s premium programmatic marketplace.

Pathway is Audio’s response to the ongoing shift towards automated, data-driven buying models; more than a quarter of European advertisers allocate over 81% of their display budgets programmatically according to the IAB Europe’s most recent Attitudes to Programmatic Advertising Report.  

Meanwhile, although podcast popularity popularity continues to grow (over 20% of UK adults listen to at least one podcast a week) the proportion of podcast media sold via programmatic is low, in part due to technical restrictions.

Audion’s first element of Pathway is a technical building block that expands Audion360’s capacity to optimize podcast monetization. This next-generation connector is just the first step in a broader roadmap of innovations that will simplify access, enrich inventory with exclusive data, and strengthen transparency across the ecosystem,” explains Arthur Larrey, co-founder of Audion,” 

Pathway reflects Audio’s ongoing focus on harnessing technology to build a more open, transparent, and high-performing programmatic environment as the company continues to position itself as a pioneer in digital audio and podcasting.

About Audion

Since the beginning in 2018 by Arthur Larrey and Kamel El Hadef, Audion has established itself as the expert partner in digital audio, offering innovative advertising solutions for brands and agencies, as well as monetization technology for publishers and creators.

Audion’s offering is built on three complementary solutions: Audion Reach, designed to maximize the impact of audio advertising campaigns; Audion Stories, which creates engaging and tailor-made audio experiences; Audion360, a revolutionary platform for publishers and content creators, combining a podcast CMS, artificial intelligence, and advertising solutions.

With offices in Paris, London, Milan, and Brussels, a team of 50 experts, and over 2,000 successful campaigns delivered, Audion has become the preferred partner for those looking to harness the full potential of digital audio.

Acast Launches Talent-Voiced Ads – Authentic Voices In Programmatic Audio

Acast – the world’s largest independent podcast company announces the launch of Talent-Voiced Ads. The new format will allow advertisers to leverage podcast talents’ recognizable voices across scripted audio ads.

Brands can now pay to have Acast talent voice their scripted ads, run across Acast’s network of more than 140,000 shows. Talent-Voiced Ads is available programmatically, allowing advertisers to harness Acast’s network at scale and opening up further revenue streams for creators.

The Acast network is home to the most established personalities in podcasting, including Hannah Berner and Paige DeSorbo, Adam Buxton, Katherine Ryan, ShxtsnGigs, and Toni and Ryan.

Talent-Voiced Ads have been successfully tested so far with Acast talent including Couples Therapy, We Mean Well, and Equity Mates, for advertisers including Telstra and Officeworks.

“When Acast brought us the opportunity to be a test partner for Talent-Voiced Ads, we saw the potential to connect with podcast listeners in a new, engaging way, leveraging the trusted voices of Acast’s talent to deliver our message at scale,” says Renard Gatien Dikel at Ovative Group, test partner for the format. 

“The results are promising. We’re pleased to be at the forefront of this new programmatic offering, which future solidifies our commitment to reaching our audience through impactful audio experiences.”

Unlike host-read sponsorships – where the podcaster promotes a sponsor in relation to their own podcast – Talent-VoicedAds use the trusted voice of the podcaster for the voiceover of a brand’s own ad, to be distributed at scale across Acast’s network. It offers a number of benefits for both advertisers and creators, including: 

Authenticity: As the host-read sponsorships have proved – 4 in 5 people will consider a brand promoted by their favorite host – message recorded by podcasters in their own voices provide a genuine, engaging and effective experience for listeners .

Relevance: Acast’s contextual targeting technology ensures that ads are highly relevant to the content and audience of each episode. Combining this with recognizable influencer talent amplifies this effectiveness.

Monetization: Creators can earn additional revenue by lending their voices to scripted ads.

Premium Quality: Talent-Voiced Ads offer a premium advertising experience of programmatic targeting.

Efficiency: A programmatic execution offers buyers the opportunity to add talent-voiced ads to their buying platform strategies, including the ability to shift spend from under-performing channels.

“Talent-Voiced Ads combine the best of Acast and podcasting: authentic influencer voices with precision targeting at scale,” said Greg Glenday, Chief Business Officer at Acast. “It helps challenge the myth that programmatic always equals low CPM and poor-quality ads. And in an age of AI, we’re offering creators a way to protect and monetize their recognizable voices themselves, taking an even bigger slice of the creator economy pie. It’s a win-win for podcasters, advertisers, and listeners.”

Flightpath Selected By Impression.fm To Power Predictive Analytics Across Their Podcast Portfolio

Flightpath, the leading predictive analytics platform for on-demand media, is proud to announce its newest partnership with Impressions.fm, a fast-growing podcast network for its curated, creator-first approach to monetization. 

By leveraging Flightpath’s advanced forecasting and campaign performance tools, impressions.fm is now equipped to scale its operations, improve sales accuracy, and unlock new revenue opportunities through data-driven insights.

Flightpath empowers podcast publishers with unprecedented visibility into future inventory and performance, helping teams plan smarter, reduce waste, and drive profitability across all stages of the sales cycle. This collaboration marks another step forward in Flightpath’s mission to help modern media companies future-proof their businesses in a fragmented and fast-moving landscape.

impressions.fm represents the next generation of podcast networks; nimble, talent-focused, and ready to scale,” said Laurie Belleau, Chief Revenue Officer at Flightpath. “We’re excited to support their growth by providing the forecasting and performance tools they need to maximize revenue, minimize friction, and create a more transparent, profitable sales environment. Our approach is never plug-and-play – we tailor every integration to fit the unique needs of each partner.”

By integrating Flightpath’s predictive capabilities, impressions.fm will be able to offer advertisers smarter forecasting, tighter campaign execution, and greater confidence in delivery, allowing them to focus on what they do best: cultivating great content and delivering results for creators and brands alike.

“We are beyond excited to partner with Flightpath to bring even more clarity, insight, and precision to our inventory forecasting and campaign management,” said Ben Watson, CEO & Founder at Impressions.fm. “This collaboration helps us to better serve our creators, be a better partner to advertisers, and build infrastructure that allows us to grow sustainably and intelligently.”

AccuRadio Seeks Chapter 11 Protection Citing Broken Royalty System And SoundExchange Litigation

AccuRadio, the oldest surviving brand of personalizable online radio and the leading fully-human-curated streaming service, sought Chapter 11 bankruptcy protection in Chicago after reaching an impasse in the face of litigation from SoundExchange and a royalty scheme that renders music streaming extremely challenging for all but the largest corporations.

“AccuRadio has spent almost 25 years building an innovative and well-loved music streaming service while facing royalty obligations that climbed to levels that seem to suggest the system is rigged, perhaps inadvertently, against small and midsize streamers,” AccuRadio CEO Kurt Hanson, who founded the firm back in 2000.

“The Copyright Board’s rate-setting process leaves small and midsize players out of the process because of the extremely high costs of lawyers, expert witnesses, and discovery make participation virtually impossible.” Hanson said.

“SoundExchange filed a lawsuit agains us in mid-2024 that came as a complete surprise because we had been working with their lawyers for months to reach a fair and reasonable payment plan — and we thought we were almost there,” Hanson said.

“Then, after many more months of negotiating in good faith during the litigation process, we were led to believe that our latest proposal would be accepted by SoundExchange with only minor modifications. However, eventually SoundExchange altered its position and rejected that proposal” Hanson added.

“We were extremely disappointed that we couldn’t reach a negotiated settlement,” Hanson continued, adding that “AccuRadio has been a consistently reliable SoundExchange with only minor modifications. However, eventually SoundExchange altered its positioning rejected that proposal,” Hanson added.

“We were extremely disappointed that we couldn’t reach a negotiated settlement,” Hanson continued adding that “AccuRadio has been a consistently reliable SoundExchange licensee for the vast majority of the past two decades, having paid SX over $13,500,000 in royalties,” he added.

“Furthermore,” Hanson observed, “AccuRadio resumed full current payments to SoundExchange many months ago and continue to keep current with ongoing obligations.”

HIGH RATES HARM EMERGING AND MID-TIER ARTISTS

“The existing royalty system was ostensibly created in large part to benefit musicians, but it mostly benefits the elect group of superstar performers on the Big Three record labels (Universal, Sony, and Warner),” said Paul Mahoney, AccuRadio’s EVP/Music Programing.

“These artists already dominate algorithm-driven playlists and terrestrial airwaves. As a human-curated streamer with nearly 1,400 channels of myriad genres, we provide a haven for the music of tens of thousands of talented working musicians — i.e, those who tour regionally, record independently, and release albums through boutique labels.” he added. 

“Emerging artists don’t benefit from yet another Taylor Swift or Drake playlist. They benefit from services like AccuRadio who take creative risks, highlight underappreciated talent, and build genuine musical communities. That’s what AccuRadio has done for over 20 years — and what the current system makes so hard for us now.”

Podcast Platform Podeo Signs Exclusive Advertising Partnership With SMC Group

In a significant move aimed at transforming the podcast advertising sector across the Middle East and North Africa, Podeo and SMC Group announces a strategic exclusive partnership. Under the agreement, SMC Group will serve as Podeo’s executive advertising sales partner in the UAE and KSA.

SMC Group, a leading company in digital advertising and integrated marketing solutions, and Podeo, the largest podcast platform in the Middle East and North Africa, aim through this partnership to reshape the digital and audio advertising landscape across the region.

The partnership was formally signed at a ceremony in Dubai, attended by Stefano Fallaha, CEO & Founder of Podeo, Michel Bayer, Media Executive Director at SMC Group, and senior representatives from both parties.

The collaboration marks a significant step forward in the evolution of the region’s podcast landscape. It aims to establish a robust ecosystem that connects podcast creators with premium advertising opportunities, enabling brands to reach engaged audiences through high-value content in a more impactful and emotionally resonant media environment.

Podeo has distinguished itself the only platform in the region built to empower podcast creators to grow, get discovered, and earn, turning podcasts into income with no extra effort. Through its powerful proprietary technology, Podeo enables creators to reach mass audiences and build sustainable revenue streams, some earning over AED 100,000 in monthly income through effective, targeted audio advertising.

SMC is strategically positioned to amplify the impact of Podeo’s ad inventory and introduce innovative engagement models for advertisers. Backed by extensive commercial expertise and partnerships with major media institutions, including the Saudi Broadcasting Authority (SBA), beIN Sports, Saudi Arline, Webook, Mawdoo3, and Webedia — SMC brings valuable reach and capabilities to this collaboration. 

Commenting on the partnership, Stefano Fallaha, Founder and CEO of Podeo, said “At Podeo, we’ve built the infrastructure to make podcast advertising effortless and powerful. This partnership is unlocking podcasting’s true potential for brands and agencies, delivering undivided attention, authentic engagement, and measurable, long-lasting impact at scale.”

Michel Bayeh, Media Executive Director at SMC Group, added: “This partnership underscores SMC’s ongoing commitment to advancing the media landscape through smart, high-performance platforms. By aligning with Podeo, we’re not only enhancing our digital offering but also supporting the expansion of podcast monetization across MENA with more efficient, data-driven solutions.”

Together, Podeo and SMC Group continue to supercharge the future of media monetization in the region. This partnership also sets the stage for developing an advanced data infrastructure to enhance audience insights and campaign performance, supporting the rise of targeted audio advertising, one of the fastest-growing ad channels globally.

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