Radiotopia Revealed Podquest Winner

Radiotopia Podquest logoEarlier this year, Radiotopia launched Podquest, which was an open call for new podcast ideas. They wanted to diversify their network and reach new audiences. After sifting through the entries, the semifinalists, and the finalists, Radiotopia has revealed the winner of the Podquest contest.

When Radiotopia launched Podquest, they received submissions from 1,537 people from 54 countries. Topics included “everything under the sun”. Those submissions were narrowed down by Radiotopia executive producer Julie Shapiro, who led a committee of 11 PRX staff and Radiotopia producers. A total of 99 Radiotopia donors reviewed the top 50 entries.

In June, the entries were narrowed down to a total of 10 semifinalists (called the PQ10). From those ten, four finalists were selected.

The winner of Radiotopia’s Podquest is Ear Hustle.  The podcast is a collaboration between Earlonne Woods and Antwan Williams, who are currently incarcerated at San Quentin State Prison, and Nigel Poor, a collaborator and artist living on the outside.

Ear Hustle unveils the hidden stories of life inside the prison, told and produced from the perspective of those who live it. The show includes stories of both the good and the bad.

Radiotopia will pick up the first 10-episode season of Ear Hustle and it will debut later in 2017. Ear Hustle will use the proceeds from their prize to create their show, and to significantly upgrade the equipment at the San Quentin media lab (where the podcast is recorded).

LifeAfter is General Electric’s New Podcast

lifeafter-logoGE Podcast Theater is an experimental partnership in branded podcast production between General Electric, Panoply, and the BBDO advertising agency. GE Podcast Theater has launched a new podcast called LifeAfter.  It comes after the first GE Podcast Theater podcast, The Message, but is not a sequel.

LifeAfter is a 10 episode thriller. The main character is Ross, who is a low level employee at the FBI. Ross spends his days conversing online with his wife Charlie – who died eight months ago. The technology behind this digital resurrection leads Ross down a dangerous path that threatens his job, his life, and maybe even the world.

New episodes of LifeAfter will be release every Sunday. At the time I am writing this blog, there is an introductory episode and LifeAfter episode 1 available.

The Message website has a disclaimer that clarifies that the medical technologies and treatments that are in the podcast are fictional. There is a link to where people can learn more about the real technology that GE is working on in the ultrasound therapy space. In other words, The Message was, essentially, a creative form of advertisement that didn’t feel like an ad.  The unexpected popularity of The Message is potentially what made LifeAfter possible.

Tell Me Something I Don’t Know Podcast has Launched

tell-me-somthing-i-dont-know-logoTell Me Something I Don’t Know is a New York Times podcast that recently launched in collaboration with Dubner Productions. It is hosted by Stephen J. Dubner of Freakonomics Radio and co-author of the Freakonomics book series.

Tell Me Something I Don’t Know is described as equal parts game show, talk show, and brain-tease, in which audience members present an “IDK” (an “I Don’t Know) – something that other people might not know – to a panel of celebrities and experts from business, the arts, science, politics, sports, and academia. The panel will gently interrogate each guest presenter. The goal is to make everyone a bit smarter than they were before.

The podcast will be taped before a live audience in New York City and then distributed globally via podcast and other media. It will combine the reach and expertise of The New York Times with the success of Freakonomics Radio, which has 7 million monthly downloads and airs on nearly every major public radio station.

Those of you who want to present an “IDK” to a panel of experts during a live episode of Tell Me Something I Don’t Know can fill out a form with your “mind blowing fact”. Be prepared to list how you know that information and to list sources or otherwise verify your idea. At the bottom of the form, there is a list of upcoming dates when the podcast will be presented to a live audience (and recorded).

Wondery Hired Two Key Executives

wondery-logoWondery the podcast network founded by Hernan Lopez, former CEO and President of Fox International Channels, has added two key executives to their team. Wondery is a fast growing podcast network that specializes in mobile and on-demand audio storytelling, connecting wonderers and brands to a world of entertainment and a world of knowledge.

Laurie Pracher joins Wondery as SVP, Brand Partnerships. Prior to joining Wondery, Pracher was Senior Director of Sponsorships at New York’s public radio station WNYC, where she oversaw a team of managers across radio, digital and podcast platforms.

Karo Chakhlasyan joins Wondery as Director of Audience Acquisition. Prior to joining Wondery, Chakhlasyan was with Oxford Road (one of the leading buyers of podcasts). Oxford Road offers customer acquisition through data-drive media placement on channels like TV, radio, and podcast.

The addition of Laurie Pracher and Karo Chakhlasyan follows the hiring of Jeffery Glaser and Christina Haro in March. Jeffery Glaser is President of Content at Wondery. Christina Haro is Account Executive, Brand Solutions, at Wondery.

Upcoming Gimlet Media Podcast Sponsored by Apple

Gimlet LogoNo single company is still talked about more when it comes to podcasting than Apple. Since its addition of podcasting to the iTunes Store in 2005, most of the podcasting news made by Apple has revolved around podcasting apps and distribution. But that changes this month as Apple will actually be an active sponsor of an upcoming podcast produced by New York-based Gimlet Media.

Gimlet made a name for itself during the so-called “podcast renaissance” of 2014 with the launch of its critically acclaimed Startup podcast that documented the company’s founding. Gimlet followed up the success of Startup with other popular shows like Reply All and Undone. Gimlet Media is now set to debut its latest creation, a fully scripted serialized fiction series called Homecoming. This new show will be voiced by established Hollywood actors Catherine Keener (40 Year-Old Virgin, Into The Wild), Oscar Isaac (Ex Machina, Star Wars: The Force Awakens), and David Schwimmer (Friends, Orange Is The New Black).

Gimlet Media has a proven track record of attracting large audiences to its productions. That past performance may be what enticed Apple to step in as the sole sponsor for Homecoming. Specifically, Apple will be promoting its e-book and periodicals platform iBooks thru this new podcast. The move could be a sign of Apple’s confidence in Gimlet’s latest project, as the tech giant hasn’t sponsored many (if any) podcasts before.

Apple’s move from passive podcast distributor to active podcast sponsor seems like a logical one. While many podcast consumers are likely already using an Apple device, they may still be unaware of what iBooks has to offer. It’ll be easy enough for those listeners to tap over to the iBooks app after an episode of Homecoming and pick up a new book or magazine subscription. The potential popularity of a Gimlet-produced podcast will also get Apple’s sponsored message in front of plenty of non-Apple users as well, since podcasts are consumed across many different platforms.

CBC Claims Podcast Apps Violate Copyright

CBC LogoThe Canadian Broadcasting Company, better known as CBC, was one of the earliest public broadcasting organizations to adopt the medium of podcasting. Many CBC shows have been available as podcasts for years. And while those shows are still technically available as podcasts, the CBC is now trying to block some podcast-consumption apps that carry CBC podcast feeds.

This was first reported on Reddit, where user dredmobius discovered CBC shows were no longer accessible within his podcast app of choice. dredmobius contacted the app’s developer, who said that the CBC requested removal of its shows from the app due to violation of copyright. (The name of the app in this case has not been released.) In the same Reddit thread, dredmobius posted a copy of the notice that CBC allegedly sent to the app developer:

I am contacting you regarding the unauthorized use of CBC’s podcasts that are being used in your <app name> app.
By using CBC’s digital services you have agreed to our our Terms of Use located at cbc.ca/aboutcbc/discover/termsofuse.html.
Under section 2(b) of these Terms of Use, you are prohibited from using our podcasts for commercial purposes without a proper licence from CBC.
I would ask to cease immediately the use of our unlicensed podcasts.
If you interested in CBC content and podcast, we can discuss a license fee model.
I would be happy to have a call to discuss further our content and services.

Twitter user @AvenSarah asked the CBC what was going on in with this situation. An official CBC account replied:

In the same Twitter exchange, CBC also linked to a recently published document on its website titled “Why CBC/Radio-Canada has terms of use for its RSS feeds.” The article points to some legalese in CBC’s online terms of use for its podcast RSS feeds, along with this explanation:

So why do we want to work with third-party podcast apps or aggregators to agree on conditions for distribution of our podcasts?

CBC/Radio-Canada relies on advertising revenue; we try to monetize our podcasts. Apps that sell premium accounts, or use in-stream or banner advertising for example, are earning revenue through the content they offer. As a general principle, we think it’s fair for podcast creators to be compensated in some way for the content they create.

But, it’s not just about the money. When someone offers our content to their audience without any relationship to us, we have no idea what they’re doing with our content. Are they copying our content to their servers and serving cached versions? What’s their business model? Do our analytics capture their traffic? Is there a competitive conflict between our ads and the ads being displayed on their apps?

Not having the answers to these questions affects our own advertising model, and the analytics that help us understand who our audience is. Our brand can take a hit too if aggregators are associating our content with something that we’re not comfortable with, such as recently, when our content was placed next to ads for pornography. We also have agreements we need to uphold – commercial music for example, and so need to know that any third-party use of our content honours those agreements.

In some ways, the CBC’s perspective is understandable. The organization wants to protect its ability to monetize its content, and it doesn’t necessarily want third-party platforms to run their own ads against CBC shows. Still, podcast RSS feeds live on the open web. They should be accessible to any device or application that can properly read them. The CBC can try and stop podcasting apps from syndicating its shows. But it’s not gonna be easy getting this genie back into its bottle.

 

Fireside Podcast Hosting Service Removes Download Limits

Fireside Beta PlansFireside, the podcast hosting and distribution platform created by 5by5 founder Dan Benjamin, recently announced it would remove download limits from its podcast hosting plans. When Fireside beta invites were sent to early users, recipients were offered two podcast hosting plans. One plan was aimed at single-show podcast producers, while the other was geared for producers planning to do multiple shows. Both plans were priced according to their feature sets. And both came with monthly download limits. The single-show plan had a 5,000 downloads-per-month limit, while the multi-show plan had a 15,000 downloads-per-month limit.

It’s unclear as to why Fireside’s hosting plans came with built-in limits. Presumably, it was to keep shows with larger, established audiences from jumping into the platform before Fireside was ready to handle a large increase in traffic. Regardless, Fireside announced in a recent e-mail update that the service would be dropping download limits:

…if you took a look at Fireside and thought it might not be for you because we didn’t offer high enough downloads in your price range, I have some good news for you …

Fireside Has No Download Limits!!!

Perhaps the biggest improvement we’ve made relates to our distribution platform and the lifting of download limits.

You heard that right, Fireside has no download limits.This means you can upload as many episodes as you’d like, and they can be downloaded without any restriction.

Instead of two different plans, Fireside is now working off of a base plan that allows additional features to be added at additional cost. Optional add-on features include multiple podcasts, network support, membership integration, and more.

RememberMe App Lets You Highlight Podcast Audio Like a Book

RememberMe appWe’ve all been there. You’re listening to a podcast or audiobook while you’re out for a walk or driving a car. You hear some amazing piece of information you’d like to save for later. But you’re just not in a place where you can easily take down some notes. Maybe you take a screenshot of your device’s mobile player at the time where you heard the audio you’d like to save. Or you try and make a mental note of this important location within the audio. But most of the time, you simply forget about it altogether. A new app called RememberMe that’s currently in development is looking to change that by giving you the ability to “highlight audio” for note taking in the same way you’d highlight text in a printed document:

You don’t have to pause your podcast, rewind, go to another app or notebook. One tap will save the last 30 seconds in audio and text.

Saves audio in text so you can review your important information later with out having to re-listen to the podcast.

Syncs with Evernote or Dropbox for safe storage, automatic organization, and easy retrieval and review.

The RememberMe app could prove to be a very useful tool for saving specific information from spoken word audio. The app is not yet available to the public but RememberMe’s developers are offering an e-mail signup for anyone who’d like to know about future updates.

Adobe’s Project VoCo Could Revolutionize Spoken Word Audio Production

Adobe VoCoIt’s no secret that audio editing is a task many podcasters must begrudgingly embrace. While modern digital audio workstations have come a long way to make audio editing easier, these applications are still lacking in tools that truly speed up or automate the process. A skilled audio producer will be able to see some obvious correction points when looking at waveforms within an editing program. But for the most part, when it comes to editing spoken word tracks, it’s necessary to listen to all of the audio that’s been recorded.

Adobe could turn spoken word audio production on its side with a new prototype software called Project VoCo. Ars Technica has already dubbed VoCo the “photoshop for audio,” quoting developer Zenyu Jin, who debuted VoCo at a recent Adobe conference.

VoCo works like this: Give the software a sample of about 20 minutes of spoken audio from a single voice (the sample could be recorded specifically for VoCo, or taken from a podcast or audio book recording). VoCo then generates a transcript of the words that were spoken and displays the transcript as text. From there, an audio producer can simply rearrange the text into a new order, and VoCo will edit the audio to match the changes in text.

It doesn’t stop there. VoCo can also synthesize spoken words based on the sample audio it’s received, allowing the editor to literally put words into the editing subject’s mouth.

For those who are dreading that next audio editing job, VoCo could speed up the process dramatically. Of course, the software’s ability to convincingly produce spoken words from text will create endless potential for hilarity. But it could also be used for evil. With this in mind, Adobe has added a watermarking tool to VoCo to make it easier to identify authentic audio.

See VoCo in action in the video below.

Podcast Movement 2017 Registration Begins November 25

Podcast Movement logoIt seems like it’s been only a few months since the Podcast Movement 2016 conference wrapped up in Chicago. The next iteration of the event will occur August 22 – 25 in Anaheim, CA. According to an e-mail recently released by Podcast Movement, registration will open for PM 2017 in just a few weeks:

In what has become a tradition for Podcast Movement, registration for next year’s event will open on “Black Friday”, Friday, November 25 at midnight!

Podcast Movement continues to evolve in our fourth year, and we’re excited to be putting emphasis on some key aspects of the event, including:

  • Better defined tracks to maximize the learning experience and session choices for all attendees, whether you’re a hobbyist just getting started or an industry veteran!

  • New networking opportunities and events. A chance to build new and stronger relationships with podcasters, advertisers, service providers and industry professionals.

  • New scheduling format to make sure you don’t miss anything, from the opening sessions to the closing keynotes! PLUS more time to visit Disneyland with the family!

  • Lower starting registration prices! Some past attendees asked for lower prices, while others said they’d rather pay more and have us provide food and drinks, so we’re giving attendees more options!

The current registration page on the Podcast Movement website refers to the 2016 event. This will likely be updated on or just before November 25th to reflect 2017 pricing.